The Duke Presents The Best Records Of 2004
Published December 03, 2004
This, being 2004, was one of the finest years for pop music I've ever witnessed, is the truth of the matter. The amount of solid-gold masterpieces popping up in the shelves of the CD emporiums was baffling. A year that sees not only the return of Morrissey and Prince, not only the hitherto unthinkable development that sees Har-Mar Superstar become as brilliant as he always assumed he was, but also the arrival of SMiLE by Brian Motherfucking Wilson.
Also, dig this; Commercial pop raised it's game so high that if you squint on a cloudless night you still can't see it, so far has it gone into the stratosphere. Natasha Bedingfield produced one of the most sublime pieces of three-minute gorgeousity of all ever in the truly outstanding These Words, and then Girls Aloud, a band created by a TV fucking talent show, managed to be as filthily infectious as Christina Aguillera.
Or, indeed, some virus of some kind.
What this all amounts to is that I have slept about two and a half hours in the last fortnight, so daunting was the prospect of assuming what might be "the best".
I still can't decide, so these here are in alphabetical order.
Enjoy them, friends. They rule like motherfuckers.
Ryan Adams - Love Is Hell
Love Is Hell was released as two mini-albums in 2003, a couple weeks after the brilliant, bafflingly under-rated Rock N' Roll. It was given a proper release this year, though, and is therefore eligible as a motherfucker.
What happened was the record company hated it. Where's the tunes, they asked? Right there, Ryan probably said, pointing at the tunes. It was too little, too late, though. Depressing they said. Miserable. Suicide music, is what you expect us to give to the kids, with their Limping Biscuits and Slippity Nots.
As if the whole Yankee Hotel Foxtrot debacle hadn't convinced the world that record companies didn't know their arseholes from someone else's elbow, this was just about all the proof we needed.
What Love Is Hell amounts to, is Adams' Blood On The Tracks, a melancholic, deeply pained series of dignified musings on lost love, and how hellish it all is. I just felt like pointing that out in case maybe you missed the title of the record.
In fact, it's Adams' second Gosh My Baby Done Me Bad album, and it's possibly even better than the first one, his mainly-acoustic debut, Heartbreaker.
I See Monsters is also the most beautiful fucking song I believe I have ever heard. "Baby I know you cannot hear me now, cause you're fast asleep, but I love you now", supposedly sung to a very close female acquaintance in the last stages of terminal illness. It makes me wanna beat him senseless with jealousy one minute, then have some kind of homosexual encounter the next. It's beyond shit like "good" or "brilliant" or "masterful". To paraphrase somebody or other, if the damn thing could be described with text on a damn screen, then the motherfucker wouldn't have needed to go singing it.
The Duke (Aaron McMullan to his parents and the clergy) is a Northern Irish writer, performer and insomniac currently residing in London. He is the creator of Mondo Irlando, wherein his scribblings and hollerings can be found. He is currently working towards the completion of his first novel, and his debut "punk / country / folk / whatever" album has recently been released by Ex Libris Records . You can also pop by His MySpace Page and maybe have a coffee and a biscuit.
- The Duke Presents The Best Records Of 2004
- Published: December 03, 2004
- Type:
- Section: Music
- Filed Under: Music: Rap, Music: Punk Rock, Music: Pop, Music: Indie Rock, Music: Country and Americana
- Writer: Duke De Mondo
- Duke De Mondo's BC Writer page
- Duke De Mondo's personal site
- Spread the Word
- Like this article?
- Email this
Save to del.icio.us
Comments on this articleComments
Good list Duke!
I'll be wrapping up the year from And We Danced soon and making lists within our dance music contribution. Most likely Prince will be the only which appears on our lists and yours.
But...that's not to ignore that there was a lot of great music this year outside of the dance realm.
I'm still blown away by the Loretta Lynn album. It's hard to get people to listen to it, but once you hear it, you will understand why critics salivate all over it.
And I wasn't shocked by the Green Day set either - they have been a very good, nearly great, band for a long time now.
Then...the Brian Wilson album and the unearthed Clash tapes appeared on the same day this past fall!! Yeah, it was a good year.
Thanks folks.
Aaman, Eminem ALMOST made the grade. Certainly it's a stunning record, and a hell of a lot better than The Eminem Show. And thanks for the kind words :)
Bill, i'll look forward to your list, although, as you may have gathered, i'm pretty shamefully lacking in knowledge concerning the old dancin' and so on. The best dance record i heard recently was the second 2 Many DJ's album, although i think that's 2003.
As to The Clash, i should really have done a bit about re-issues and so on (although those Vanilla Tapes are hardly re-issues)
London Calling, the Nirvana set and the expanded Village Green Preservation Society by The Kinks, for example, would all have been there.
And gifts, obviously you too know the wonders of this prodigiously talented troubadour.
Most of the records you highlighted are on my list too! Except Dizzee Rascal (I just don't get it, not yet anyway) and Green Day (although it's the best album I have heard by them I'm still underwhelmed)
Most critics agree with you however. I am glad to see you included the William Shatner / Ben Folds album which really took me by suprise. Kinda like a brick to the head.
Some of my others include:
Killers - Hot Fuss
Moving Units - Dangerous Dreams
Autolux - Future Perfect
Modest Mouse - Good News For People Who Love Bad News
Muse - Absolution(#1?)
Iron & Wine - Our Endless Numbered Days
The Polyphonic Spree - Together We're Heavy
Ray Lamontagne - Trouble (#1?)
Trouble
Bill Lamb,
Do not forget the new Duran Duran - surely a candidate for dance album of the year
Duke D'Mondo,Your inclusion of Dizzee is
highly laudable. I really dig "B.I.D.C",
but haven't gotten into "Showtime" yet.
I've given it a few listens but it just
seems to lack the punch of the first CD.
Maybe it'll grow on me with time.
Unfortunately, I don't think he'll ever
break really BIG stateside.He's just too
British. Most US hiphop fans like their
funk homegrown, plus he's unintelligible
to my ears on a lot of cuts(UK slang and
all)which definitely won't help him on
this side of the pond. Nevertheless he's
talented as all great give a fuck. Ditto
for Mike Skinner.
Anyway, Here's my Top Ten for 2004 not
that anyone besides me gives a fat fuck:
1)Nathaniel Mayer- I Found Out
2)J-Zone - A Job Ain't Nuthin' But Work
3)Tom Waits - Real Gone
4)Black Keys - Rubber Factory
5)Dirty Dozen Brass Band -
Funeral For A Friend
6)Capleton - Reign Of Fire
7)Wolf Eyes - Burned Mind
8)Nancy Sinatra - S/T
9)V/A - Not The Same Old Blues Crap V.3
10)Quintron - The Frog Tape
Peace,Love & Soggy Chips.
HW, i imigine the slang thing might be hard to get ones head around, but its not exclusive to folks outside the UK - Half times i dunno what the hell he's yelpin on about either. Fuckin sounds great tho, whatever the hell it is.
Also, i was intrigued by the mention of these Modest Mouse folks, so i went and got hold of a copy. For some reason i assumed they were a dance band (maybe cause of all the danger mice and felix tha housecats and so on). Good god almighty... How fucking sweeeettttt!!!! is that record?
It's like the flaming lips but a bit more approachable...
"my thoughts were so loud i couldn't hear my mouth" Great great stuff
arggghhhhh i hate these fuckers!!! how good is that "float on"???? Wht can't folks be shit for ten damn minutes any more? God almighty. I hate them. Noone should be this good in a year when everyone else is so good!! who the hell might give whining sons a bitches like The Duke two seconds of ear-space in an era of stunning shit like this!!! Fucking hell bastards
Great list! LL, Shatner, Prince and the Streets will all probably make my year end list. So many other good albums that picking 10 will be difficult. I am pretty sure my list will include Saul Williams-Fader Label and Jello Biafra and the Melvins-Never Breathe What You Can't See. I am picking up the Kaada/Patton-Romances album today and I have high expectations for that disc. I will also be considering Tom Waits-Real Gone, Handsome Boy Modeling School-White People, Bjork-Medulla, Madvillain-Madvillainy, Ramm Ell Zee-The Bi-Conicals of the Ramm Ell Zee, Franz Ferdinand-S/T, Scissor Sisters-S/T, and K-OS-Joyful Rebellion. All in all, it was a great year for my music collection!
Duke - Did you happen to catch the Honeydogs' 10,000 Years? Best album of 2004, in my opinion.
I'm trying to think really hard if I actually went to a record store looking with anti-ci-(say it!)pation to buy an album. Is there anything more boring than a record store?
So, instead, I'll look at what I've enjoyed. Extra to the Nick Cave and William Shatner (you really need to see "Free Enterprise" for his rap version of "Julius Ceasar").
The Pixies - live tour recordings from their reunion.
Tom Waits - Real Gone
The Kleptones - A Night At The Hip-Hopera.zip
David Thomas - 18 Monkeys on a Dead Mans Chest
Camper Van Beethoven - New Roman Times
Mostly this year, it's been hearing a couple of international corporations telling me how much they hate me. And the best advice in an abusive relationship is just to walk away.
Smenkharon, i loved the franz ferdinand record, but thought it was a tad repetitive. Scissor Sisters also was fantastic in an early Elton John sorta way. great stuff.
Alex, i didn't get around to that one - therein lies the problem with these things, you dont get to hear EVERYTHING so it's a bit pointless, other than as an excuse to swear entertainingly of course. heh
Jim, surely browsing the aisles of the record emporium is a joy bettered only by browsing through a video store. If said emproiums are combined in some manner, then it's all very close to sinful, i'm guessing. Best to wait a fortnight between expeditions, though, is what i would suggest, so as they get time to put in new stuff. It becomes strangely soul destroying lifting and setting back down the same stuff every day. "oh, a record i've picked up every day for the last four years. Best have another look at the tracklist, and then just set it back down." again and again.
The Tom Waits record sounded interesting to me, but not neccesarily something i loved, if you get the drift and such. A bit like Bjork's record. Inventive and admirable, but not really to my liking as a whole.
"Has Been" is a wonderful album, Duke - thanks for the reference - it's now near constant listening - possibly will be appreciated even more in my own twilight years.
glad to be of service, Aaman. Spreading the word of Shatner is a joy unto itself, if only to see the suprised looks when Has Been reveals itself to be a touching, humane masterpiece rather than the kitsch (if highly enjoyable in a bizarre kinda way) psychadelia of Transformed Man.
also, although i don't agree with this in the slightest, i found this to be rather amusing. Selfish Cunt have just released My Prerogative as a single, and i found the NME review highly amusing. "Further proof that Selfish Cunt are the best band in britain, untill you actually hear them, at which point they become the worst."
Add your comment, speak your mind
(Or ping: http://blogcritics.org/mt/tb/22865)
My list:
Encore - Eminem
Feedback - Rush
Shangri-La - Mark Knopfler
Around The Sun - REM - *****
The Kill Bill 1/2 soundtracks
Smile - Brian Wilson - *****
Good News For People Who Love Bad News - Modest Mouse
The New Danger - Mos Def
Great reviews, Duke - you're one of the reasons that attracted me to blogcritics