Bruce Springsteen - Nebraska

Written by Lono
Published October 22, 2004

ok,

I am listening to Nebraska for the first time. In a word, stark. Deadly stark. Stark like living in a basement for 30 years with the windows blacked out. Ok, I should maybe ease off the caffeine and 7th grade poetry notes. It is beautiful and powerful though. It isn't what I call house cleaning music (think Dexy's Midnight Runners here. See, you're happy already!). Each song is a story about the disenfranchised... mostly blue collar worker type tales. Think of lyrics from Billy Joel's Allentown, but more depressing). To me, the album feels like being stuck in a rut. I remember a couple of years ago when I was laid off again from Telecom and looking for work. For a brief flash, I felt totally liberated. I remember thinking 'Wow, I can do anything I want now. Anything! I could run for congress, or join the circus, or work for an airline and get sweet free flying benefits!' That lasted about a week or so. Then I realized, telecom was all I knew. Plus, after seven years in the business, I was pretty good at it. As I watched all the telecom jobs continue to move out of Colorado (errr, out of the country), Nebraska is the kind of record I might have made.

Another term to describe the album is sparse. The whole of it is Bruce with an acoustic and a harmonica. The harmonica work is as necessary. um... the skill level is right about that of Neil Young (not a compliment). This is no 'The Rising', which is to me the absolute apex of everything Springsteen has ever done. What? Blasphemy, you say! What about 'the River' or 'Born to Run' you urge? Shut yer pie hole! This is my review, and I find the Rising to be about the best thing I have heard all the way through. This disc is the total opposite - but above all it is terrific. It is thoughtful and sweeping and moody and somewhat depressing. Certainly no more depressing than everything Tom Waits does, who I love.

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Lono rambles on about everything at his home page I am Correct and more specifically about music here at the Phantom Blog . He lives in Colorado, and pretends he doesn't care what you think... but I think we both know he secretly does.
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Bruce Springsteen - Nebraska
Published: October 22, 2004
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Writer: Lono
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Comments

#1 — October 22, 2004 @ 06:08AM — Aaron, Duke De Mondo [URL]

great stuff lono. this is indeed one sparse record. i love it, but i havent listened to it in about two years. i loved the rising too, so you wont be getting threatened with stakes, crosses etc from me, although i dont know if its his best work or not. im not a terribly big bruce fan.
but yeah, this is adamn fine record.

#2 — October 22, 2004 @ 08:45AM — Distorted Angel [URL]

Great review, Lono. I've been a Springsteen fan since before the dawn of time, and I couldn't agree with you more about this album. I'm not all that taken with The Rising, though -- it has a few good moments on it, and a couple of those songs are great if you can see them performed live, but when I'm reaching for the albums that speak directly to me, the ones I always end up with are Born to Run and Darkness on the Edge of Town. Springsteen's taken a lot of heat for his political positions lately, even from his long-time fans. It always makes me wonder what the hell they've been listening to all these years.

#3 — October 22, 2004 @ 10:28AM — Marty Thau

Springsteen was also listening to
Suicide's FRANKIE TEARDROP masterpiece when he recorded NEBRASKA.

#4 — October 22, 2004 @ 11:20AM — Rodney Welch [URL]

Nebraska is the last great album Springsteen made, in my opinion -- and it's probably the last record in the world I would compare with Closing Time, which isn't anywhere near as stark. Both good for late at night, but that's about it; the Waits' record sounds like a romping, stomping polka by comparison. I think the theme of Nebraska is summed up by "Reason to Believe," where Springsteen asks just what it is that makes people press on despite all they have to endure. A bleak and beautiful record -- he tried to follow it up a few years ago with The Ghost of Tom Joad, which is not as successful; the songs sound like retreads.

#5 — October 22, 2004 @ 11:46AM — Mark Saleski [URL]

very nice.

also good of you to stick up for The Rising, since it has become so fashionable to dump on it lately (i think for political sour grapes more than anthing else).

#6 — October 22, 2004 @ 16:36PM — Bill Lamb [URL]

Thanks for the review and reminder..."Nebraska" is very much a product of 1982 as well...the year the unemployment rate hit 9.7% (1 out of 10 people out of work)

My dad lost his manufacturing foreman job at the age of 39 that year and was without a full-time job for nearly a year. It was a dark time for many and "Atlantic City" remains one of the most heartbreaking of songs for me.

"Now I been lookin' for a job but it's hard to find
down here it's just winners and losers and
don't get caught on the wrong side of that line
Well I'm tired of comin' out on the losin' end
So honey last night I met this guy and I'm
gonna do a little favor for him

Well I guess everything dies baby that's a fact
But maybe everything that dies someday
comes back
Put your makeup on fix your hair up pretty and
meet me tonight in Atlantic City"

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