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<title>Blogcritics: Comments on Tonight I saw Fahrenheit 9/11</title>
<link>http://blogcritics.org/</link>
<description>A sinister cabal of superior bloggers on music, books, film, popular culture, politics, and technology - updated continuously.</description>
<language>en</language>
<copyright>Copyright 2005 by the authors</copyright>
<lastBuildDate>Wed, 21 Jul 2004 13:50:34 EDT</lastBuildDate>
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<title>Comment by Eric Olsen</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75244</link>
<description>thanks for the info Corinna!</description>
<guid isPermaLink="false">75244@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 13:50:34 EDT</pubDate>
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<title>Comment by Corinna Hasofferett</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75190</link>
<description>Eric, it was the mother herself who recalled how she got the message. There is such a scene in the film where the whole family surrounds her lovingly her, and she recalls the nightmare.
 
I&#039;ve given above a link to Michael Moore&#039;s site and there, in an interview to Daniel Fierman at Entertainment Weekly on July 9, 2004 Michael Moore amswers frankly:

EW: Talk to me about Lila Lipscomb, the mother of a soldier who died in Iraq. The story of her political conversion makes up roughly the last third of the movie. How did you find her?

MM: I didn&#039;t know her at all. In the first month or two of the war, I noticed that [some] soldiers had died from Flint. I said we should start calling some of [their relatives] and see if they&#039;ll talk to us. The first three people said they would, so immediately we were like, whoa, because military families tend to be more conservative. As we followed Lila&#039;s story for three months there was a really interesting arc, because she was essentially this conservative Democrat, very pro-military. And we saw this shift take place over a period of months, and so you see it in the film.

EW: So the first time you met her, her son had already died in that helicopter crash?

MM: That&#039;s right. It was a number of months after her son had died, I can get you the exact dates, but I just constructed it in such a way that you don&#039;t know he&#039;s dead until [later in the film].

  </description>
<guid isPermaLink="false">75190@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 10:20:51 EDT</pubDate>
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<title>Comment by Eric Olsen</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75167</link>
<description>thanks Shark, that &lt;i&gt;was&lt;/i&gt; a synchronistic miracle</description>
<guid isPermaLink="false">75167@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 08:49:04 EDT</pubDate>
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<title>Comment by Shark</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75164</link>
<description>Whoops, delete &quot;all of the above&quot; 

The correct answer is:

&quot;He and his cameras just happened to be hanging around her house for the day&quot;

: /</description>
<guid isPermaLink="false">75164@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 08:29:33 EDT</pubDate>
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<title>Comment by Shark</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75163</link>
<description>Eric, in a synchronistic miracle, the answer to all of the above is &quot;YES&quot;.

Moore followed her because:

1) she was a huge advocate of the young poor joining the military as a way out
2) her son was in Iraq

During the filming, she got the call -- which sorta transformed her from gung-ho to got fucked.


BTW: Having seen the film, I was sorta surprised by how little of the &quot;criticisms&quot; we&#039;ve heard are actually valid. 

There is obviously an emotional element added due to the order of editing and music (see A. Hitchcock and/or  S. Eisenstein for more on that) -- but even if one discounts those -- for the most part, the facts are still facts -- and still pretty damning of our frat boy Saudi sucking Asterisk President.

</description>
<guid isPermaLink="false">75163@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 08:28:15 EDT</pubDate>
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<title>Comment by Eric Olsen</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75159</link>
<description>I haven&#039;t seen the movie, but how could Moore have &quot;documentary&quot; footage of a mother receiving the news of her child&#039;s death by phone? He and his cameras just happened to be hanging around her house for the day? Did she call him in? Was the scene &quot;recreated&quot;?</description>
<guid isPermaLink="false">75159@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 08:03:49 EDT</pubDate>
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<title>Comment by David Flanagan</title>
<link>http://blogcritics.org/archives/2004/07/20/224156.php#comment-75154</link>
<description>Corinna,

The military&#039;s policy is to send two officers to let families know of the death of their loved one.  Don&#039;t know what happened in the case of the woman in Michael&#039;s film, but I do know that that should never have happened.

Thanks.

David</description>
<guid isPermaLink="false">75154@blogcritics.org</guid>
<pubDate>Wed, 21 Jul 2004 06:01:49 EDT</pubDate>
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