[WARNING: This discussion contains spoilers. While I do not reveal the movie's final act, nor much of the second act, I do examine a lot of the rest of the movie. It will take away some of your enjoyment, so reconsider reading this if you already think you might see the movie. It's best seen completely cold. If you're not sure, then this review will not ruin the movie's final surprises for you, but it will give away some really great stuff from the first half.]

It's impossible to guess how this movie will end from the way it begins. And it's not because the directors cheat. (Danny and Oxide Pang; wouldn't you love to be named "Oxide Pang?") The script unrolls just slightly ahead of you until the fateful conclusion.

The Eye, made in Hong Kong in 2001 and released to DVD in America earlier this year is a superior horror movie. It is atmospheric and tense, constantly playing with the audience's identification with the main character point of view and her state of confusion. We watch as she sees things we know aren't real, waiting for her to understand. Watching her innocently interact with death and ghosts keeps us on the edge of our seats. The tension is exquisite. It is a ghost movie with an Asian and Buddhist tint that makes it different without being dislocating.

A young woman, Mun, has been blind since she was two. Now grown, she is given a cornea transplant that restores her sight. At first, she experiences the confusion of someone who has not seen. As her doctor notes, she doesn't know she's looking at a stapler until she touches it, until she uses a familiar sense. Everything for her is new.

She slowly begins to realise that what she's seeing is wrong — frightfully, terribly wrong. People she meets behave in ways even a blind woman knows are bizarre. Then she begins to experience hallucinations of her room morphing into someone else's room. She slowly grows more and more terrified as her world grows stranger. Mun fears she is going mad and wants it all to stop.

The film's script, cinematography and editing are the equal of anything you'll see in Hollywood film-making. The look and feel of this Hong Kong is not like your standard-issue HK gun ballet or chop-socky action film, but a bit grittier and worn looking. The acting, too, is great, especially Angelica Lee as Mun and Lawrence Chou as Dr. Lo. Even the supporting cast is outstanding.