The Duke On "Under My Skin" By Avril Lavigne

Written by Duke De Mondo
Published May 26, 2004

It's hard not to like young Miss Lavigne. There's something charming about the pseudo-anarchist, skateboard-gripping shenanigans of a young lady who strives for some sort of credibility in her work, and yet a young lady who openly admitted to not knowing who David Bowie was.

"What the fuck do I care about this old queen? The only Thin White Duke I care about is the one what writes the funny reviews and says Motherfuck" (paraphrase).

Comparisons to similarly aged and gendered performers abound in any critique of Avril's recordings. Some Alanis Morissette here, a bit of Britney there, a scad of Christina and what not. The real comparisons, of course, are somewhat closer to the likes of Green Day, Blink 182 and all those other pop-punk ensembles who manage to mix the "emotions" with the "fun" via some fairly engaging three-chord combinations and ejaculatory choruses.

Sure, there's shades of Alanis in the more-righteous-than-thou tone of the lyrics on occasion, but anyone who senses the spectre of Britney within these 12 chunks of pop perfection collectively known as Under My Skin, is surely in dire need of a new ouija board.

Lavigne's first album, the gazillion-selling Let Go, left The Duke a little cold. Sure, those singles were great, and it was all very catchy and what-not, but overall, it seemed a little bland, a little too reliant on the sorts of mid-tempo angsty ballad bollocks that blights so many recent albums.

Thankfully, on Under My Skin, Avril has had the good sense to focus on the melody-riddled tunes, discarding the fatty MOR stylings of two-thirds of her debut.

Her voice, too, is much stronger this time around. She wraps her larynx around her occasionally-clumsy lyrics with aplomb, thankfully avoiding any chronic overuse of the computer-assisted excesses she once found herself drenched in. Truly, there is nothing on Under My Skin which comes anywhere near to being as annoying as that FX-tainted holler, "How we rock each other's wuh-ee-uhl-urrrrrrd" in Sk8r Boi.

Most of y'all will have heard the lead single, Don't Tell Me. If you haven't, it's a supremely catchy, wistful tirade in the vein of I'm With You from her first record, only much better, and also less concerned with how With You she is, than how Without You she wants to be, you son-of-a-bitch.

It's decidedly refreshing to hear a teenage female pop-star sing about keeping her pants on for a change. No doubt plenty of adolescent bedroom troubadours will be extremely disheartened by the threat, "I get you in my pants, I'll have to kick your ass and make you never forget".

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The Duke (Aaron McMullan to his parents and the clergy) is a Northern Irish writer, performer and insomniac currently residing in London. He is the creator of Mondo Irlando, wherein his scribblings and hollerings can be found. He is currently working towards the completion of his first novel, and his debut "punk / country / folk / whatever" album has recently been released by Ex Libris Records . You can also pop by His MySpace Page and maybe have a coffee and a biscuit.
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The Duke On "Under My Skin" By Avril Lavigne
Published: May 26, 2004
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Writer: Duke De Mondo
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Comments

#1 — May 26, 2004 @ 08:15AM — Eric Olsen

Exceptional review Duke, really enjoyed it and it made me see Avril in a different light: seeing the young lass through the Billie Joe prism sheds much light. Thanks!

#2 — May 26, 2004 @ 10:17AM — Aaron, Duke De Mondo [URL]

Thank you, Eric!
I think Avril gets a bit of a hard time mostly due to all those articles in Smash Hits and such that proclaim her some kind of punk heroine. She's not, but she writes incredibly effective pop songs, and is deserving of our collective nodding, is what i'm suggesting.
Again, thank you! I really apreciate the supportive words!

#3 — May 26, 2004 @ 10:37AM — Mark Saleski [URL]

great review duke. i'm kindof an avril fan.

heck, i can even forgive her use of efex on that line in sk8er boi because the song is way too much fun to get hung up on stuff like that.

more billy joe parallelisms: they both use fake british accents (avril occasionally, billy joe, all the freakin' time). what's up with that?

i in fact listened to Let Go on my way to work today because i'm so friggin' tired i wanted to avoid driving off the road & hittin' a cow or something.

#4 — May 26, 2004 @ 10:48AM — Shark

I love this girl. I thought she had that spark the first time I heard her work.

I think she truly has a ton of talent and might outlast the initial shot of 15 minutes of fame -- unlike the other 99% of the hotshots the music industry spits out.

Could she turn out to be a generation's version of a Joni Mitchell, constantly evolving and expressing those changes for others?

I think she is probably that good. (and I'm an old male fart !)

(Caveat: of course, I also think the same of *Hanson, but I've yet to be proved right on that one -- still waiting tho, so let the reader beware.)


*gawd, yall pullleze don't mock me, 'kay...?

#5 — May 26, 2004 @ 11:01AM — Aaron, Duke De Mondo [URL]

Thanks for the comments Mark N' Shark (sounds like a beat combo. Mark N' Shark Plus 5!) Mark, i hope no bovine were harmed on your journey. Poor poor bovine. Always getting hit with cars, trees, tractors and so on.
As to the british accent carry-on, yes indeed. I guess in Billie's case it was a result of growing up with The Clash and The Jam blaring from the speakers, and in Avril's case, well, she had Green Day, so...
I remember shortly after Kurt Cobain's death, Kerrang! did a highly insensitive and tasteless news item, where one could telephone and hear Kurt's message from beyond the grave. Part of his message was "and tell that guy from Green Day he's not British". Bad taste for sure, but remarkable in its ridiculousness.

Shark, i'm actually listening to Jagged Little Pill at the minute, and Alanis jumps with remarkable ease between Joplin-tics and Jefferson Aeroplane style word-alterations. If Avril goes on to be something aproaching Joni, then maybe Alanis is the Janis. Let's hope she doesn't do the whole drugs thing, or start listening to the doors.

Thanks guys!

#6 — June 8, 2004 @ 07:10AM — Zinon

Does avril regret her mistakes of the past? One of them was a movie which she has sex in 2000.

#7 — June 17, 2004 @ 11:43AM — Ani rox

Come on Shark, how can you call Avril "this generations Joni Mitchell?" Sure, Avril is a good singer and her songs are kinda cachy. However, Avril is not a poet. Joni Mitchell was a poet who wrote all her own songs. Her lyrics were original and not just about "guy problems" or other lyrical cliques of this generation. Avril is not a true song writer because she merely co-writes her songs. Joni Mitchell wrote all of her songs and she sang about her perspective on humanity and nature through poetry. Joni also played guitar during almost all of her songs, showing true skill. Avril has a nice voice, but she's no Joni Mitchell. If you're looking for "this generation's Joni Mitchell," I suggest you give Ani Difranco's music a try. Ani writes songs (all of them) in a manner similar to Joni Michell (through eloquent poetry and quirky guitar playing.)

#8 — June 17, 2004 @ 14:27PM — BRICKLAYER

Because, unlike the Beastie Boys, Avril is oozing with creativity and originality! Why, she is pushing, nay, RIPPING open the envelope on what humans had previously thought possible in the field of sound!

HOT RUMOUR: Avril is collaborating with 3/4's of Pink Floyd, the bassist of Neurosis, drummer Josh Freese, and the guitarist from Lillix on a rock opera chronicling the life of child actors, specifically the boy who played Richie Rich (I forgot his name). I have some MP3's they are demoeing, and they are fantastic. I hope her label doesn't put the kibosh on it, and suppress her from continuing to grow as an artist!

#9 — June 17, 2004 @ 15:59PM — Joe [URL]

I don't think there is a more appropriately named musician out there today than Advil.

#10 — June 19, 2004 @ 10:20AM — Avril Bandaids [URL]

Avril Lavigne - Under My Skin Review

Avril Lavigne appears clad in a black tutu on the cover of her new album, Under My Skin. While on first glance this looks to be nothing more than a generic album cover, further analysis will reveal a poignant insight into the psyche of Avril and the theme of the record. For, externally Avril might appear standoffish, dark, rebellious, and “anti-everything” (as portrayed by the pseudo-goth duds), beyond the media misinformation she is simply a shy, vulnerable, impassioned little girl searching for her piece of a fairytale (hence the tutu).

There are songs on Under My Skin that play to both sides of Avril. Don’t Tell Me, the first single, quite obviously fits in the former category. Co-written by Avril and her guitarist Evan Taubenfeld before Complicated was even released, Don’t Tell Me is a pro-abstinence power anthem designated as a bridge single to bring fans of Avril’s old material into her new, more mature sound. Other members of this group include the following: He Wasn’t " touted Sk8er Boi part II; Who Knows " an utterly catching song with all the markings of a radio hit; Freak Out " a divinely innocent track reminiscent of Green day; and I Always Get What I Want " Avril’s attempt at poking fun at her media image.

It is in the latter grouping of songs where the heart of the album can be found. Under My Skin opens hard and heavy with Take Me Away. This track reveals the inner conflict within a girl wanting to protect her heart from being broken, while letting her love ”take her away”. Next is Avril’s personal favourite, Together. The only mot juste for describing this song is “perfect”, although perfection hardly does the song justice. It is here that Avril defines herself and establishes a sound that is distinctly hers. Another such track is Forgotten " a raging tirade that will rape you of your soul and leave you incensed, unhinged, and yet fulfilled. My Happy Ending, the second single to be released shortly, illustrates Avril’s romantic inner-self, and the failure of her partner in meeting her idealized standards. While some passion is lost in the final production of the song, this is a brilliant example of Avril’s growth since Let Go.

The four remaining songs are softer, slower, but still forceful. How Does is Feel is a subtly emotional and beautiful ballad that pulls at your heartstrings with each of its many rises and falls. Then there is Nobody’s Home " a collaboration with Ben Moody formerly of Evanescence, and a likely next single. This is the only song on Under My Skin where the subject is not Avril herself, which seems to grant Avril the freedom to create a despondent character and employ imagery beyond her usual capacity. Fall to Pieces is another romantically inclined ballad expressing Avril’s desire to keep alive the flame of a failing relationship. The album ends with a magnificently painful ode to Avril’s recently passed-on grandfather entitled Slipped Away. You can hear the tears in her voice, and anyone equipped with a heart cannot help but shed a tear at this sonorous eulogy.

Under My Skin is an emotional, dark, and rapturous creation that, in a mere 45 minutes, captures many of the thoughts we find impossible to express. In this more organic sophmore attempt, Avril proves her talents when she is given the artistic freedom to create an album free of external pressure. Those who explore the CD for themselves will be rewarded with an intelligently written and well-executed album, which is sure to become the soundtrack of a generation. As the promotional tag says, “Avril Lavigne’s Under My Skin is sure to get under yours”.

#11 — August 8, 2004 @ 10:01AM — possy

i want a tutu but where do i find 1 :(

#12 — August 23, 2004 @ 06:53AM — chris wilson

WOW!!!!!! what an album by Avril, if you thought let go was good under my skin is sublime. Go buy it NOW! right now i'm listening to don't tell me one of my favourites from the album. Have you also heard Avril's version of knocking on heaven's door? It is stunning. Anyway she looks and sounds just like Joni Mitchell. She IS the Joni Mitchell of the 21st century

#13 — August 24, 2004 @ 15:07PM — eileen

AVRIL LAVIGNE IS NOT JONI MITCHELL. SHE DOES NOT "LOOK AND SOUND JUST LIKE JONI MITCHELL" BY ANY STRECH OF THE IMAGINATION! SHE DOESN'T EVEN WRITE ALL OF HER OWN SONGS. JONI MICHELL NEVER WROTE AN ALBUM WITH THE ASSISTANCE, OF A GROUP OF PROFESSIONAL SONG WRITERS CALLED THE MATRIX! Avril may have an okay voice, but her lyrics are bland, corporate friendly, and no where NEAR as witty or poetic as Joni Michell's. If you like your slickly marketed pop princesses, that's fine, but please, puh-leaze don't blaspheme the name of real poets and musicians in the process.

#14 — August 26, 2004 @ 08:04AM — Angry person

Oh yeah and if you want to see who the "Joni Michell of the 21st century" is, give these women a listen.

Ani Difranco
Tori Amos
Sarah Mclachlan


...and many other mature musicians. Even Vanessa Carlton or Michelle Branch are closer to Joni Michell than Avril ever has been.

#15 — August 26, 2004 @ 09:06AM — Shark

Will you people calm down.

I used the Joni analogy as someone who expresses and evolves along w/her generation, and who has enough talent to span a few decades.

We'll see, but meanwhile, shut the fuck up. I WAS NOT -- and I don't believe anybody WAS -- dissing Joni.

#16 — July 26, 2005 @ 00:23AM — rebecca lei [URL]

hey avril!i luv ur songs so much. when r u cumin 2 tornto again. ummmmmmmm....my friend luvz the song "happy ending". well bye!

#17 — April 6, 2006 @ 21:44PM — ash [URL]

i got told she does not write the songs she sings but ill still luv her

#18 — April 6, 2006 @ 21:48PM — ash [URL]

she has style, attitude hot guys all round and i would love to b her 4 just one day. i liked the
let go albumb but under my skin is amazing har voice is so strong and high i love it
luv ya alwayz grl ashhhhhhhhhhhhhhhhh

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