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<title>Blogcritics: Comments on The Oscars</title>
<link>http://blogcritics.org/</link>
<description>A sinister cabal of superior bloggers on music, books, film, popular culture, politics, and technology - updated continuously.</description>
<language>en</language>
<copyright>Copyright 2005 by the authors</copyright>
<lastBuildDate>Fri, 19 Mar 2004 13:50:31 EST</lastBuildDate>
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<title>Comment by Chris Kent</title>
<link>http://blogcritics.org/archives/2004/03/18/151833.php#comment-52123</link>
<description>I love &lt;i&gt;Shakespeare in Love&lt;/i&gt;!

No wait, I have strong feelings for &lt;i&gt;Shakespeare in Love&lt;/i&gt;!

It was kind of odd that it would win Best Picture, but I never really thought &lt;i&gt;Saving Private Ryan&lt;/i&gt; deserved the top nod anyway. I always thought the frame of that film, the old man visiting D-Day sight, family quietly standing behind him like a fucking Hallmark card - was so putridly sweet as to be repulsive. It almost ruined the entire film for me. I also thought the film tried to have its cake and eat it too - being a revealing work about the realities of war, yet giving us a story straight out of Sgt. Rock comic books. A well-made, though agonizingly uneven film.

Spielberg&#039;s missteps in filmmaking, and he makes a surprisingly large number, are so glaring as to make you question his entire legacy. </description>
<guid isPermaLink="false">52123@blogcritics.org</guid>
<pubDate>Fri, 19 Mar 2004 13:50:31 EST</pubDate>
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<title>Comment by Michael</title>
<link>http://blogcritics.org/archives/2004/03/18/151833.php#comment-52048</link>
<description>&quot;Remember back when the movie &lt;em&gt;Shakespeare In Love&lt;/em&gt; won Best Picture over &lt;em&gt;Saving Private Ryan&lt;/em&gt;? How is that possible?&quot;

Because not everybody liked &lt;em&gt;SPR&lt;/em&gt;.  Hype for &lt;em&gt;SPR&lt;/em&gt; as a great war movie with extremely realistic depictions of a battle convinced me that I really didn&#039;t want to see it.  For the right movie, I could have seen it in spite of that, but the plot of actually saving the private didn&#039;t seem likely to be very interesting.  I could&#039;ve been dragged to it by spouse and friends, but Tom Hanks, star of Monsters and Mazes, Bosom Buddies, Dragnet, Turner and Hooch, and Joe Versus The Volcano is a box office disincentive for me.

On the other hand, &lt;em&gt;SIL&lt;/em&gt; had a clever Stoppard script, a fine cast, exceeded my expectations and we left the theater smiling and laughing and talking about the large and small things we&#039;d liked in the film.  I&#039;d&#039;ve voted for it and was pleasantly surprised when it won.

It also probably didn&#039;t hurt the oscar voting that it had a theater setting or strong studio support, but I don&#039;t think that was the deciding factor.</description>
<guid isPermaLink="false">52048@blogcritics.org</guid>
<pubDate>Fri, 19 Mar 2004 10:06:18 EST</pubDate>
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