The Passion of the Christ (movie review) Powerful visual poetry

Written by Al Barger
Published March 05, 2004

The Passion of the Christ


After all the shouting, racial and theological arguments, Mel Gibson finally put out a movie.  I've written HERE and HERE about the Jewish issues involved. Let's try as much as possible to put away all the side issues though, whatever theological stance one might like for him to have taken, and consider the actual movie he did make as a work of art.


Mel Gibson has created a truly powerful piece of visual poetry meditating on the brutality of the crucifixion of Jesus. I've long since given up the Christian beliefs of my Protestant upbringing, but this was very moving even to me. It brought home the anguish of the story, and made it real like nothing else I've ever seen. I completely don't believe in the resurrection, yet still I left the theater with about half an urge to sign up at my old boyhood church again. That's pretty effective movie making.


There's no question that the film is brilliantly made, however much you do or don't like what he's saying. The lighting, the sets and cinematography create a tangible world glowing with the presence of the supernatural. The hazy blue opening scene in the Garden of Gethsemane alone was nearly worth the price of admission.


A lot has been made of the graphic brutality of the film. It certainly is brutal as all hell. The sounds of ripping flesh as he's being scourged particularly cut into my psyche. Some of this was tough to watch. Just watching the film could count as doing penance.


Yet theoretically this is way not the most graphically violent movie going. Kill Bill had a thousand times the body count. Tarantino had blood arching from severed limbs, and decapitated heads flying through the air. That stuff was really a cartoon, though. You wouldn't really feel the pain of one of these characters like you would Jesus here.

Saving Private Ryan, however, had much more graphic violence, which I for one found much harder to watch. There was some rough stuff in The Passion, but I don't recall entrails hanging out of still living bodies. I found Spielberg's movie much tougher to watch.

page 1 | 2
Unreformed hawkish Hoosier hillbilly and sometimes candidate Al Barger runs the still squeezin' down the psychodelic Kentucky moonshine at MoreThings.com, what with the paranoid religious visions and the Pentacostal music and visions of God and anarchy running amok and such. Somebody oughta call the cops to report his out of control freedom of conscience. Till they come to take him away somewhere where he can't hurt anyone else, you can check out his weekly column of NEW ALBUM RELEASES.
Keep reading for information and comments on this article, and add some feedback of your own!
The Passion of the Christ (movie review) Powerful visual poetry
Published: March 05, 2004
Type:
Section: Video
Filed Under: Video: Art House, Video: Drama
Writer: Al Barger
Al Barger's BC Writer page
Al Barger's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by Al Barger
Video: Art House
Video: Drama
All Video Articles
Al Barger's personal weblog
All BC articles
All BC Comments

Comments

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/13410)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments