White Lamb Down

Written by Paul Palubicki
Published February 26, 2004

A lot has been said about the violence in The Passion of the Christ, with many critics comically stumbling over themselves in describing their revulsion to the acts of torture depicted in the film. I find this odd, as Passion follows the traditional American belief in the redemptive power of violence. It's a theme woven throughout our Westerns and our culture. For example, Saving Private Ryan (a far more gory film) followed a squad of American G.I.'s who are killed in hyper-realistic fashion by anonymous Germans. At the end of the movie, Private Ryan, and indeed the world, is saved through their violent sacrifice on his (and our) behalf. In Schindler's List (a far more psychologically disturbing film), we follow a group of Jews who are marginalized, terrorized and brutalized by Germans. As they are cast-out of their ghetto, they walk a gauntlet of taunting Poles who throw stones and mock them mercilessly. Only one non-Jew in this movie is depicted in a sympathetic light: Oscar Schindler, who's actions on their behalf save them from annihilation. For what purpose, I ask, would someone pay money to watch American servicemen and innocent Jews mocked, beaten, broken, and murdered? And why are those films rightly praised, while The Passion of the Christ seems to be judged by a different standard? For the answer, we have to turn to The Empire Strikes Back. When Yoda instructs Luke to enter the Cave, Skywalker asks, "What's in there?" Yoda replies, "Only what you take with you." What you bring into the theater will largely determine how you view this film.

The Passion of the Christ is indeed a violent movie. In fact, I would urge parents to leave their children at home should they decide to watch it. I know it's a bizarre thing to say about an R-Rated movie-- it should be self-evident. But we live in a world where the momentary exposure of a single breast threatens the moral fiber of our youth, while exposing them to two hours of relentless brutality is considered appropriate, if not necessary. I do not share this view.

The Passion of the Christ begins with Jesus in the Garden of Gethsemane, apparently fearing what lies ahead and asking God to let him off the hook. The full moon, blue light, and mist set the ominous mood, and you would be forgiven for believing you'd mistakenly entered a Werewolf movie. After he gives three of his sleeping disciples a kick in the pants and a rebuke, he goes off by himself again to pray. Satan appears and poses questions of doubt, but Jesus ignores them and re-affirms his faith in God, made manifest in both word and deed, for he stamps-out a snake that managed to slither its way out of Satan's robe. I don't remember reading anything about Satan in Gethsemane, so I'll chock it up to a Catholic tradition unknown to me. The entire Gethsemane sequence is very powerful, however, as is the rest of the Act leading up to Jesus' presentation before the Sanhedrin. With only a couple of exceptions, this is the only part of the movie where Jim Caviezel shines, as he is merely a cipher to be beaten and whipped throughout the rest of the movie.

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White Lamb Down
Published: February 26, 2004
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Section: Video
Filed Under: Video: Drama, Video: Horror
Writer: Paul Palubicki
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#1 — February 27, 2004 @ 09:08AM — Eric Olsen

Exceptional review and context, Paul, thanks! I certainly agree about the resurrection being the crux of the matter for me: he died, how he died is relatively unimportant, and to fixate on the details of that death seems peculiar at best.

#2 — February 27, 2004 @ 17:34PM — I A B

Not to be a nit-picker, but the concept of the "scapegoat" comes from the Old Testament, I think Leviticus. It was not man's idea but part of God's law. A goat was sent out of the camp symbolically bearing the sins of Israel. It's more complicated and detailed than that, but I don't have my Bible with me.

#3 — February 27, 2004 @ 23:51PM — Paul

Someone mentioned the same thing on my website, so I'll cut-and-paste response over here:

"I didn't mean to say that the scapegoat itself was a tradition of men, but rather things that have been attributed to the treatment of the scapegoat. Leviticus merely mentions that Aaron would bring the blood of a bull and a ram (I think, I'm going from memory here), place it on the scapegoat's head and confess the sins of Israel, before releasing it on its way out into the wilderness. I also think someone was supposed to escort the scapegoat into the wilderness as well."

#4 — February 28, 2004 @ 16:08PM — Paul

Forgot the second half:

"However, people have written that the scapegoat in Jesus' time was abused and beaten by the people as it ran, probably bewildered and frightened, out of town. If this is so, then that facet of it was certainly a tradition of men and so, in my mind, shouldn't be linked to what was necessary for Jesus to suffer."

#5 — February 28, 2004 @ 18:41PM — Kevin

"and I still didn't know who was in that crowd and why they too called for Barabbas."

I think that the scene early in the film where the temple functionaries are shown going around to Jewish houses in the middle of the night telling people to show up at the high priest's courtyard implies that the subsequent crowd is a mix of rent-a-crowd types and/or clients of the high priest.

#6 — February 29, 2004 @ 02:47AM — Paul

That could well be. I went to the bathroom twice during the movie, once during the early part of the film before the beatings began in earnest.

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