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<title>Blogcritics: Comments on The Friday Morning Listen</title>
<link>http://blogcritics.org/</link>
<description>A sinister cabal of superior bloggers on music, books, film, popular culture, politics, and technology - updated continuously.</description>
<language>en</language>
<copyright>Copyright 2005 by the authors</copyright>
<lastBuildDate>Sat, 14 Feb 2004 20:00:39 EST</lastBuildDate>
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<title>Comment by Tom Johnson</title>
<link>http://blogcritics.org/archives/2004/02/13/104721.php#comment-44622</link>
<description>By the way, Mark, your post reminded me how much I&#039;ve been wanting to get &lt;i&gt;Oh Mercy&lt;/i&gt;, so I went out and bought it yesterday.  Beautiful stuff - as you say, the pairing of Lanois and Dylan on this album is amazing.  &quot;Most of the Time&quot; is a song I rarely have out of my head since I heard it on the &lt;i&gt;High Fidelity&lt;/i&gt; soundtrack . . . glad I finally own the real album surrounding it.</description>
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<pubDate>Sat, 14 Feb 2004 20:00:39 EST</pubDate>
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<title>Comment by Tom Johnson</title>
<link>http://blogcritics.org/archives/2004/02/13/104721.php#comment-44621</link>
<description>What I find most rewarding out of free jazz is listening closely for the relationships that develop between musicians.  If you listen carefully enough, you&#039;ll start to discern whom is playing off of whom, and from there you&#039;ll start making all the many little connections between all of the musicians involved.  When I first got into jazz, I used to think that free jazz was just disorganized noise.  Now I usually can&#039;t help but instantly listen for the wisps of common thought passing through a truly good band.  Ornette&#039;s a great place to start, but I&#039;d highly recommend going back to the start with the album that really started it all - &lt;i&gt;Free Jazz&lt;/i&gt;.  As &quot;out&quot; as it may have sounded at the time (and to new listeners even today) it&#039;s really got quite a strong melodic element and a sensible progression from motif to motif.  It&#039;s good, good stuff, and if you like it I HIGHLY suggest picking up Ornette&#039;s boxset of that period&#039;s material, &lt;i&gt;Beauty Is A Rare Thing&lt;/i&gt;.  This was one of my first jazz boxsets years ago and it has continued to be one of my dearest possessions.  Truly amazing music.</description>
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<pubDate>Sat, 14 Feb 2004 19:58:39 EST</pubDate>
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<title>Comment by JR</title>
<link>http://blogcritics.org/archives/2004/02/13/104721.php#comment-44609</link>
<description>Okay, I&#039;ve got a few free jazz CDs (Ornette Coleman &lt;i&gt;At the Golden Circle&lt;/i&gt;, &lt;i&gt;Song X&lt;/i&gt;, a couple of live Coltrane sets), but I&#039;m still unclear as to what exactly I&#039;m supposed to get out of it.  Like, what distinguishes &lt;i&gt;good&lt;/i&gt; honk &#039;n squeak from your run-of-the-mill honk &#039;n squeak?</description>
<guid isPermaLink="false">44609@blogcritics.org</guid>
<pubDate>Sat, 14 Feb 2004 17:49:24 EST</pubDate>
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