On the glory of the personal compilation

Written by John Owen
Published January 22, 2004

In today's edition of Salon.com (brought to you by Jann Wenner: now with 30% more man-boob!), Joel Keller laments the death of that music-geek's model airplane, the mix tape.

I miss the way I used to make mixes. I'd sit in front of my tape deck, with a stack of CDs or records on one side of me, and a beverage (adult or otherwise) on the other, and spend a couple of hours or more finding just the right combination of songs to put on the tape. The levels would all match; loud songs got softened and soft songs got a boost. I would attempt to take the mix right to the end of the tape; I'd spend over an hour finding that perfect minute-and-a-half song or snippet that would fit musically with the rest of the mix.

All the while, I would be swigging the beverage, and listening to each song as if it was the first time I'd heard it, usually with head down and some appendage keeping time. After a side was done, I'd rewind, punch out the tab, put on a custom-made label, and go to bed knowing that I've made something that I or my friends were going to enjoy for years to come. . . . [obligatory paen to Nick Hornby/High Fidelity]

Compare the way I used to do my tape mixes with the way I do things now: I sit in front of my PC and either rip an entire CD to disk or download files from any of the legal services like iTunes or Musicmatch (in pre-litigation days, I will admit I downloaded the occasional song via Kazaa). I drag the song titles from my song list to the playlist window; I check to see if there are any abrupt endings or bad transitions, but I rarely listen to the songs all the way through. Once I'm satisfied, I pop in a CD-R, hit "record" and go to sleep. No muss, no fuss. And not nearly as much fun.

Many people who don't have the same passion for the mix as I do simply copy entire collections of MP3s to CD or onto their iPod, not caring what order the songs are in. "I can now rip or download the songs I want to MP3. Then I dump them onto one of my MP3 players. The way the process has improved for me is that I can just hit shuffle and not know what the order [of songs] is always going to be," says Jason Meurer, an engineer from New Jersey. He is one of the people who answered my e-mail queries regarding people's mixing methods. From the limited sample I received, I noticed that while a fair number of people still perform meticulous mixes, just as many play randomly from their massive MP3 collections. No one has made a mix tape in years.

As a practicing music geek with a physical cd collection that is bowing the floor of the room it's housed in, I can assure you Joel Keller is full of shit.

page 1 | 2 | 3
John Owen was born in the rust flats of Northeastern Ohio, where he was kidnapped and raised by a small tribe of Oldsmobiles. Currently residing on the rockbound coast north of Boston, he is the editor of the academic journal, Review of Arcane Minutiea and its companion lifestyle glossy, The International Obscurantist. His ill-considered front porch maunderings may be found at The Ministry of Minor Perfidy.
Keep reading for information and comments on this article, and add some feedback of your own!
On the glory of the personal compilation
Published: January 22, 2004
Type:
Section: Music
Writer: John Owen
John Owen's BC Writer page
John Owen's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by John Owen
All Music Articles
All BC articles
All BC Comments

Comments

#1 — January 22, 2004 @ 14:58PM — BJ

"What took hours now takes... fewer hours."

Aint that the truth.

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/11934)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments