Tony Levin rejoins King Crimson
Published November 30, 2003
Robert Fripp announced on his Nov. 20 diary entry that Tony Levin has agreed to become an active part of King Crimson once again, replacing Trey Gunn, who announced his departure from the band last weekend.
While I will miss the ethereal attraction of Gunn's upper frequency Warr Guitar work, I am more than glad to see Tony Levin return to fill out the bottom end as no one else can. Tony's playing is an emotional center that has been absent from the band in its most recent incarnation. While the music has remained challenging, as King Crimson music always is, I have felt little emotional connection to it as I have with nearly every other lineup. After hearing the two studio albums this lineup created, plus numerous live releases, it was becoming clear to me that a vital something was missing from the band.
Trey Gunn initially entered the band as part of the "Double Trio" which was responsible for an invigorating EP (Vrooom) and a slightly less successful album, Thrak, and a slew of live releases. Gunn's tenure with guitarist Robert Fripp began in the 80s through one of Fripp's Guitar Craft courses. Gunn picked up the Chapman Stick after flirting with a number of other instruments and found a vehicle that would express everything he could think up. After working with a number of small projects, such as with Fripp's wife Toyah on her Ophelia's Shadow and Sunday All Over The World's single album (which also featured Fripp and Toyah,) Gunn was called upon to pair up with his mentor behind a project with David Sylvian. Also joining the group would be former Mr. Mister and general session drummer Pat Mastelotto, who would, following a riveting and loud studio album and gorgeous live release, team up with Gunn in a reformed 6-piece King Crimson.
By the time Gunn joined Crimson he had released a solo album with all sounds other than drums and vocals created on his 10 string Stick. Fans of Crimson, however, were unsure what his actual duties in the band were, as his contributions were often neglected and hidden under a wall of sound thrown up by guitarists Adrian Belew and Fripp and drummers Mastelotto and Bill Bruford, not to mention Tony Levin's weighty bass lines (on bass, upright, and Stick as well.) After a lengthy tour, however, the lineup separated into small groupings (known as the ProjeKcts) to test out new ideas - it was clear the Double Trio would not function any longer as Bruford itched to return to his true love, jazz drumming - and acoustic drums, which Fripp had declared would have no place in the future of King Crimson. Tony Levin too soon found other interests, getting caught up not only in recording with Peter Gabriel for his never-ending Up sessions but also eventually in touring behind that album. What was left after the ProjeKcts was a leaner, meaner four-piece King Crimson aimed directly at making the most noise with electronically-inspired instruments.
- Tony Levin rejoins King Crimson
- Published: November 30, 2003
- Type:
- Section: Music
- Filed Under: Music: News, Music: Rock
- Writer: Tom Johnson
- Tom Johnson's BC Writer page
- Tom Johnson's personal site
- Spread the Word
- Like this article?
- Email this
Save to del.icio.us
Comments
I think Fripp is leaving the door open. Gunn is certainly worthy of being in King Crimson, but comments attributed to Fripp from a Japan concert make it clear that something uncomfortable was brewing between him and Gunn (he suggested as far back as spring of this year that a change would occur in the band and that someone with a "rock star" attitude that didn't fit the group's attitude would leave and be replaced by a certain bald former member - it's pretty easy to determine who he's talking about.) I'm guessing that were Gunn to wish to return to King Crimson it would hinge upon Tony Levin's agreement to remove himself again, or while he's working with Peter Gabriel, as Fripp points out that a Gunn/Levin combo does not appeal to Tony right now. I agree - there's not enough room in King Crimson right now for two lower-end players to move. Tony's an incredible bassist and he's always been quite talented at being able to build basslines that move between the guitar, drums, and many programmed rhythms Peter Gabriel is known for using. But I can see how, given the choice, he'd opt for more room to play.
I think Fripp is leaving the door open. Gunn is certainly worthy of being in King Crimson, but comments attributed to Fripp from a Japan concert make it clear that something uncomfortable was brewing between him and Gunn (he suggested as far back as spring of this year that a change would occur in the band and that someone with a "rock star" attitude that didn't fit the group's attitude would leave and be replaced by a certain bald former member - it's pretty easy to determine who he's talking about.) I'm guessing that were Gunn to wish to return to King Crimson it would hinge upon Tony Levin's agreement to remove himself again, or while he's working with Peter Gabriel, as Fripp points out that a Gunn/Levin combo does not appeal to Tony right now. I agree - there's not enough room in King Crimson right now for two lower-end players to move. Tony's an incredible bassist and he's always been quite talented at being able to build basslines that move between the guitar, drums, and many programmed rhythms Peter Gabriel is known for using. But I can see how, given the choice, he'd opt for more room to play.
Fripp has also left the door open for Bill Bruford, provided he is willing to bend his desires to suit Fripp's and King Crimson's needs. I imagine a similar deal has been offered to Gunn, and probably Tony Levin returns realizing there may be some new "rules" to play by this time. We'll see what happens . . . should make for an interesting couple of years.
Ignore my first comment (#3), I clicked post before I realized I had something else to add.
i'd have to say that i'm pretty excited about this.
the only downside is we'll probably have to wait a good year or more for new music to surface.
What Robert actually said: During the Eurotour, I asked Trey to consider the KC Quintet option but, at that time, it didn't appeal to him. I'm hoping that, once TLev is re-activated, it will. [Nothing about the "Quintet" option not appealing to Tony.]
You're right, Larry, I must have misread that the first couple of times. I do, however, still agree with what I originally said - I'd rather hear a four-piece Crimson than a five-piece with Gunn and Levin working around each other, or Gunn just trying to work his way in. It can be interesting, but I think Levin back in the band should revitalize things somewhat. I did find it interesting that the "Double Duo" of Gunn/Mastelotto/Belew/Fripp is distinct, meaning Levin would not enter into the Double Duo but would instead be a part of the Quartet. It's a subtle difference, but subtle differences are what KC uses to make great differences down the road (kind of following chaos theory, really.)
trey gunn is an excelent musician. But Crimson needs a contribution of power and even more extra feeling. Levin is gonna give us that heavy sound and that instinctive rythm.










Fripp seems to feel that Gunn will be back.