If the early days of rock 'n' roll and rockabilly were a well-packed goody bag full of seasonal novelties, the early days of punk 'n' new wave could be almost as bountiful when it comes to junky musical Halloween treats. New Wave Halloween, a seasonal companion to Rhino's fifteen-volume Just Can't Get Enough: New Wave Hits of the 80's series, takes its cue from an era when the hairstyles could be just as frightening as the costumes.

The "new wave" title is a bit of a misnomer, though. Where Rhino's original series stuck to the 1978-85 timeline (opening with Plastic Bertrand's pop-punkish "Ca Plane Pour Moi" and concluding with Lords of the New Church's mocking cover of "Like A Virgin"), the Halloween anthology wedges in post-punkers like Sonic Youth and Mudhoney - and opens with "The Time Warp" from the Rocky Horror soundtrack! (Definitely not new wave - barely rock 'n' roll.) Skip the opener, however, and you arrive at Ministry's "Everyday is Halloween," predating the band's industrial-strength noise-a-rama by several years and more appealing to these ears for it. Then a trio of the usual suspects - B-52's, Oingo Boingo and Ramones - show up at the door with theme-worthy, if obvious, selections (too bad no one thought to include Fred Schneider's "Monster" from his solo album) before the disc ventures into quirkier territory with MX-80 Sound's metallic mash-up of John Carpenter's "Theme from Halloween" and the underrated Comateens' synth-laden "The Munsters' Theme." Put both of these instrumental tracks myself on Halloween party tapes back in the 80's, and they still hold up.

For me, though, one of the period's great Halloween songs remains the track in disc middle: Dave Edmunds' happily heartless "Creature from the Black Lagoon," which sounds of a piece with the best 50's/60's monster hoppery. Written by Rockpiler Billy Murray (a.k.a. Bremner), the song takes its inspiration from the 1954 Universal monster pic - and its images of a rampaging creature lunging forward to grab a screaming swim-suited Julie Adams. "When his last intended did the dirty on him," Edmunds grimly pronounces in the chorus, "Didn't last five minutes in the swim." Classic Edmunds, that.