Lover You Should've Come Over - Jeff Buckley Live
Published October 20, 2003
Back to Sin-'e, Jeff covers Leonard Cohen's haunting "Hallelujah," choosing to cover the John Cale version (and with good reason). As Jeff described it in an interview, "Hallelujah" is a song about the primitive emotions of love and sex, the almighty orgasm. His voice gives dimensions to the song that take it from being a classic song of earthly love to being something ethereal, indeed heavenly.
Sin-'e covers include Dylan's "Like a Woman", a song that before I heard Jeff do it was just another Dylan great - I had no idea of the song's sexual connotations. Buckley has a way of doing that with pretty much any song he chooses, but not in a lascivious way - his is a much more organic and real feel, perhaps the way all good love should be.
At his live shows, Buckley would often play his own version of Billie Holiday's "Strange Fruit" in a very quiet and plodding style - Buckley really emphasizes shock, horror, violence and injustice as a witness to a lynching, and fortunately this is included on the Sin-'e re-release.
There is also a ton of noodling here, and while I typically loathe that sort of thing, Jeff is an amazing guitar player and he makes it almost like listening (almost - but not quite) to Hendrix in practice, and that's a real compliment in my book.
Bob Telson's "Calling You" is resurrected and sounds gorgeous and lush with the velvety tones of Buckley's voice. This is a new fave for me.
I would be remiss not to mention "Last Goodbye," Jeff's best-known song. If I hadn't fallen in love with "Lover..," this would be my favorite song of heartache and breakup. Jeff had amazing insight into the pain and ache of losing that which makes us feel immortal: love.
Jeff and his bandmates were working on a new studio release in Memphis at the time of his death. An unusually early evening of playing music ended at dusk and as they passed a local tributary to the Mississippi river, Buckley, a man guided by "living in the moment," requested they stop by the side of the road so he could go for a quick swim.
As dusk turned to dark, the pitch-black of the murky river swallowed his slender body in a passing undertow and we were all deprived of his beauty forever. His death is a "tear that hangs inside my soul forever" with the knowledge that his voice will never be heard anew ever again.
If you don't own anything by Jeff Buckley, start with Grace, then, if you like it, or love it as I do, buy Live at Sin-'e. I typically shy away from live versions of anything, but sadly a Jeff Buckley fan must take whatever material is available, and this is more than good enough.
- Lover You Should've Come Over - Jeff Buckley Live
- Published: October 20, 2003
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- Section: Music
- Filed Under: Music: Rock, Music: Pop, Music: Alternative Rock
- Writer: Dawn Olsen
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Comments
I first wanted to thank Dawn Olsen for posting such a fantastic article/review on our departed but eternal Jeff. A college student, I only recently discovered Jeff's music about a year and a half ago. But now I have no idea how I lived without it. Jeff and his music were a true gift and blessing, and although his time was unfairly cut short, he lives on forever through his music and the people who listen to, feel and appreciate it. Thank you to Jeff, and thank you to everyone who continues to honor and pay homage to such a generously talented and unforgettable soul. We are lucky.


Dawn Olsen is a veteran blogger who proudly supports the guy who publishes this awesome site. She's also an avid reader of high quality tabloid fare, enjoys gardening and scatological skywriting.


What made this set work for me was that they included all his banter - hearing the humor of this man makes his music that much more beautiful. For instance, as he begins to talk about Nusrat, one of his big influences, an audience member mentions having seen him in the park and Jeff asked what song this person heard. When the person doesn't respond, he asks, "Does it sound like this?" and proceeds to do a very accurate imitation of Indian music. He may not have meant it to be funny, because I'm sure that really was a song - but to the audience member, it sounded like all the rest, which Jeff obviously knew, and took advantage of that moment for a bit of humor.
I can understand not wanting to "ruin" great songs by hearing sub-par live versions, but Jeff is one of those musicians whose musical strengths were best exhibited on-stage. I have a number of bootlegs of his and he really soars on them. I highly suggest picking up the import (official release) of "Live at Olympia" as well as the domestic "Mystery White Boy." I have yet to pick up the DVD that came out with MWB, but I will soon (my wife urges me to do so soon - because she says Buckley is, as a radio announcer says on a bootleg I have, "a beautiful man!")