Lover You Should've Come Over - Jeff Buckley Live

Written by Dawn Olsen
Published October 20, 2003

I have been robbed - something precious has been stolen from me, the music of Jeff Buckley, the virtuoso, singer/songwriter son of the late folk singer Tim Buckley.

Jeff Buckley, born November 17, 1966, was on the verge of mass popularity, when he died tragically at the tender age of 30 on June 4, 1997. An odd parallel to this tragedy is that his father died at age 28 of a heroin overdose, a painful loss for two generations of music lovers.

Jeff's music is difficult to describe - it is elegant and majestic while simultaneously soulful and full of passion. One senses that Jeff was a soul not long for this world, like the rare talented musician whose musical inspiration is something that swells forth like a quiet ocean tide, rather than being contrived through painstaking verse-chorus-verse studio tinkering. Jeff was music - he lived and breathed his royal musical ancestry.

Columbia has re-released, remastered and greatly extended the EP, Live at Sin-'e, a live recording of Jeff's early work from '93 performed at the New York club, Sin-'e. The new release includes a DVD interview with the artist, and about twenty song performances, including covers of Bob Dylan, Leonard Cohen and Nina Simone.

This is an excellent collection for old fans hungering for more raw material and for new fans just discovering Buckley's talent, a hint of what is was like to see the energetic and engaging Buckley performing in an intimate environment.

Some of the songs that would later be released on his debut Grace can be heard in their infancy on Sin-'e. Although, "Last Goodbye" was the single released by Sony from Buckley's debut album Grace, I have always felt "Lover You Should've Come Over" showcased Buckley's songwriting and musical talent most truly.

Buckley's tale of young love is written from the perspective of a man in the midst of searing reflection, perhaps on the verge of losing the best thing he's ever had:

    Looking out the door I see the rain fall upon the funeral mourners Parading in a wake of sad relations as their shoes fill up with water And maybe I'm too young to keep good love from going wrong But tonight you're on my mind so you never know

    ....Will I ever see your sweet return
    Oh will I ever learn
    Oh lover, you should've come over
    Cause it's not too late

    ....It's never over, all my riches for her smiles when I slept so soft against her
    It's never over, all my blood for the sweetness of her laughter
    It's never over, she's the tear that hangs inside my soul forever

    ....Well maybe I'm just too young
    To keep good love from going wrong

    ....Oh... lover, you should've come over
    'Cause it's not too late

Done acoustically and emotionally on Sin-'e, I actually find the arrangement on Grace more fitting of the song's tone. There, it begins with an instrument called a harmonium (a small organ), which ties in well with the "funeral procession" allusions he makes, and it gives a sense of dying emotion - a love that's fading away. For anyone who's had love slip away from them, this song can be truly heart-wrenching.

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Dawn Olsen is a veteran blogger who proudly supports the guy who publishes this awesome site. She's also an avid reader of high quality tabloid fare, enjoys gardening and scatological skywriting.
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Lover You Should've Come Over - Jeff Buckley Live
Published: October 20, 2003
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Section: Music
Filed Under: Music: Rock, Music: Pop, Music: Alternative Rock
Writer: Dawn Olsen
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#1 — October 20, 2003 @ 22:17PM — Tom Johnson [URL]

What made this set work for me was that they included all his banter - hearing the humor of this man makes his music that much more beautiful. For instance, as he begins to talk about Nusrat, one of his big influences, an audience member mentions having seen him in the park and Jeff asked what song this person heard. When the person doesn't respond, he asks, "Does it sound like this?" and proceeds to do a very accurate imitation of Indian music. He may not have meant it to be funny, because I'm sure that really was a song - but to the audience member, it sounded like all the rest, which Jeff obviously knew, and took advantage of that moment for a bit of humor.

I can understand not wanting to "ruin" great songs by hearing sub-par live versions, but Jeff is one of those musicians whose musical strengths were best exhibited on-stage. I have a number of bootlegs of his and he really soars on them. I highly suggest picking up the import (official release) of "Live at Olympia" as well as the domestic "Mystery White Boy." I have yet to pick up the DVD that came out with MWB, but I will soon (my wife urges me to do so soon - because she says Buckley is, as a radio announcer says on a bootleg I have, "a beautiful man!")

#2 — July 24, 2005 @ 07:32AM — Anna

I first wanted to thank Dawn Olsen for posting such a fantastic article/review on our departed but eternal Jeff. A college student, I only recently discovered Jeff's music about a year and a half ago. But now I have no idea how I lived without it. Jeff and his music were a true gift and blessing, and although his time was unfairly cut short, he lives on forever through his music and the people who listen to, feel and appreciate it. Thank you to Jeff, and thank you to everyone who continues to honor and pay homage to such a generously talented and unforgettable soul. We are lucky.

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