Seal IV

Written by Mark Saleski
Published September 24, 2003

I can't sing. Not a note. Not with the family during "Happy Birthday". Not even for a beery, sloppy New Year's "Auld Lang Syne" (well...ok, maybe then).

Apparently, Seal doesn't have this problem. The guy can flat-out sing...with a voice equal parts Sam Cooke, Al Green and Curtis Mayfield. Toss all those influences into the pot and you've got one tasty instrument.

So as I'm giving Seal IV a few first listens, I notice that on some tunes I'm drawn right in. Held there. Yet on others there's a letdown. At first I think it's the speed: ballads like "Touch" stand out while the 70's disco-raveup "Get It Together" quickly melts into my past.

But then I get it. It's the freedom given to his voice. It's not just that "Touch" (a gorgeous love song, by the way), "Tinsel Town", and "Don't Make Me Wait" are held back in the tempo department: it's that the stripped down arrangements allow the aural spotlight to be focused on Seal's voice.

It wouldn't be fair to say that the rest of this record is a total loss. The gospel-influence of "Love's Divine" is inspiring, "Waiting For You"'s uptempo R&B is fun, and the reggae-ish "When There's Gold" is fine modern pop music.

But, at the end of the day, I really want to hear that voice. It's a beautiful and powerful thing, and can stand on its own.

(First posted on Mark Is Cranky)

Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. On his best day, he hopes to channel the ghosts of Lester Bangs and Jack Kerouac. He spends the hours of 9:32PM to 1:37AM carving out music reviews and essays for Jazz.com, Blogcritics.org and other publications.
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Seal IV
Published: September 24, 2003
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Section: Music
Filed Under: Music: Pop, Music: Hip-hop
Writer: Mark Saleski
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#1 — September 24, 2003 @ 15:49PM — Eric Olsen

Always loved Seal's voice but agree the production has been way over the top (was Trevor Horn in the past), so much so that I was kind of driven away. I am anxious to hear this one, and in particular the less-produced songs you mention.

#2 — September 24, 2003 @ 15:52PM — Mark Saleski [URL]

Trevor Horn's on this one too...but the more minimal songs are still way-cool.

#3 — January 27, 2004 @ 02:37AM — michelle wolf

The song writing quality on this record is very high with greatly crafted songs and well mixed silky vocals by Seal. As for the production, I like the variety, and find it dynamic, modern and refreshing. This is his best work ever.

#4 — February 21, 2004 @ 07:04AM — onduko

In a scale of 1 to 10,the greatest in song have managed up to a 9.8 and maybe a little more.Seal(o yea,SEAL)...is cruising at about 14-on that very same scale-if you know what i mean!

#5 — June 21, 2004 @ 16:37PM — Brian Mejdrich

It is a shame that it took 6 years to get a full disc of new material from Seal. But it was worth the wait. I can't get Love's divine out of my head. I first came across Seal in August of 91 while I was watching a segment on MTV (when MTV was good), which was live in Central Park. Seal was doing an acoustic version of Crazy and finished up with several other songs from his first effort. The performance and artistry were awesome. This new effort isn't as good as the Seal I or II, but it has it's moments where the energy is phenomenal. I purchased IV on the 14 of June and have listened to it religously in the evening on my patio, while relaxing and having a glass of wine. Good effort SEAl

#6 — June 21, 2004 @ 22:07PM — Natalie Davis [URL]

Oh ,I love Seal's singing. Good news is, he is a really nice guy too. This LP is on the top of my music-to-get list.

#7 — June 22, 2004 @ 02:24AM — Bob A. Booey [URL]

Seal has a face made for gay porn. It's riveting. Was that out loud?

No one will get this joke.

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