Skinny Puppy - Brap On

Written by Eric Olsen
Published August 19, 2003

Vicious times require vicious music.

Arguably, the most important industrial group of all time is Skinny Puppy, which came into being in Vancouver around '81 when percussionist/synth player cEVIN Key left pop-electronic band Images In Vogue, and joined with vocalist Nivek Ogre (Kevin Ogilvie) in order to pursue the more sinister side of electronic music, with nods to Throbbing Gristle, Joy Division, and Cabaret Voltaire. Horror film samples and imagery, Ogre's harsh, distorted vocals, and determined electrobeats set the tone.

Keyboardist/bassist Bill Leeb added to the harsh, distorted sound, and engineer/producer Dave Ogilvie began to help them record. The band's earliest work from '81-85 can now be found on the Back and Forth and Brap reissues. Puppy's first full-length album was '85's Bites, highlighted by the headlong dancefloor staple "Assimilate," a relatively melodic, sprightly number with Ogre's patented death rattle vocals being the main nod to industrial darkness.

In '86 Leeb left to found Front Line Assembly, replaced by Dwayne Goettel, and
a more varied sound emerged on Mind: The Perpetual Intercourse. The
extended single release of "Dig It" from the album is the band at its most compelling: a syncopated, clanging hip-hop beat drives a spasmodic shiver through the dancer's body, as stabbing guitar blasts punctuate the downbeat, while poltergeists of heavy machinery shockingly thrum then disappear and Ogre snarls the percussive refrain, "Dig It, Dig It."

The extended single version of "Addiction," originally from Cleanse, Fold and Manipulate is another great, complete with lurching, jerking beat, high keyboard drone, and more grim vocals. In '89 Puppy partnered with Chicago metal/industrial pioneer Al Jourgensen of Ministry to create Rabies. Jourgensen and Ogre trade wrenching vocals, augmented by Jourgensen's stun guitar and a deeper, thicker production. "Tin Omen" is a metal/industrial classic, evoking the horrors of violence at home and abroad with a special emphasis on the death of innocence that was the Kent State massacre. Puppy's attack on violence through violent music and imagery can either be seen as hypocritical or homeopathic depending upon where your ox gets gored.

Skinny Puppy returned in 1990 for the relentless, aptly-named Too Dark Park, an audio Silent Spring portraying environmental apocalypse. By '92's Last Rights, the band was running on uninspired vapors, and '96's comeback, The Process, incorporated more-melodic sounds and actual unprocessed singing into the mix, but highlights are tunes like "Death" that adhere to the punishment-and-distortion model.

Puppy's excellence is best sampled from the 12" Anthology, a collection of dance remixes that covers all of the band's most distinctive material including "Dig It," "Addiction," "Assimilate," and "Testure" (an antivivisection screed originally found on Vivisect VI).

Career media professional Eric Olsen is honored to be the founder and publisher of Blogcritics.org, which, quite frankly, rules - as do his wife and four children.
Keep reading for information and comments on this article, and add some feedback of your own!
Buy from Amazon.com
Last Rights Last Rights
Skinny Puppy
Music,
12 12" Anthology
Skinny Puppy
Music,
Cleanse, Fold and Manipulate Cleanse, Fold and Manipulate
Skinny Puppy
Music,
Rabies Rabies
Skinny Puppy
Music,
Mind: The Perpetual Intercourse Mind: The Perpetual Intercourse
Skinny Puppy
Music,
Remission EP Remission EP
Skinny Puppy
Music,
VIVISectVI VIVISectVI
Skinny Puppy
Music,
Too Dark Park Too Dark Park
Skinny Puppy
Music,
Bites Bites
Skinny Puppy
Music,

Skinny Puppy - Brap On
Published: August 19, 2003
Type:
Section: Music
Filed Under: Music: Alternative Rock, Music: Electronica
Writer: Eric Olsen
Eric Olsen's BC Writer page
Eric Olsen's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by Eric Olsen
Music: Alternative Rock
Music: Electronica
All Music Articles
Eric Olsen's personal weblog
All BC articles
All BC Comments

Comments

#1 — August 19, 2003 @ 19:53PM — George Nemeth [URL]

Excellent overview, Eric. I saw SP on their C,F,M tour at the Phantasy Theater in Lakewood, Ohio. As musically tight as they were, they also put on a killer industrial show.

#2 — August 20, 2003 @ 09:32AM — Mark Saleski [URL]

some would argue (not me) that Ministry was more 'important' (whatever that means).

although i like Ministry a lot, nothing they ever put out gave me the creeps like Too Dark Park.

#3 — August 20, 2003 @ 09:37AM — Eric Olsen

There are certainly more popular groups - perhaps I should have said "influential"

#4 — August 20, 2003 @ 10:24AM — Craig Lyndall [URL]

I think SP was more of the influential type band. Ministry helped bring it out to the mainstream on the stage of Lollapalooza. Then NIN took it pop.

I wonder what's next?

#5 — August 20, 2003 @ 12:19PM — Tom Johnson [URL]

I love Ministry, but their "importance" pales in comparison to the likes of Skinny Puppy. "Important" is influential, and Skinny Puppy was by far more influential than Ministry. Ministry just picked up what Killing Joke had already been doing for years. I don't even consider Ministry to be industrial - they're just a metal band with electronic influences. There's more of a direct line from Killing Joke to Ministry than Skinny Puppy to Ministry.

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/7692)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments