Freedom of conscience 101
Published August 10, 2003
John 14:2 - In my Father's house are many mansions.
I reject the notion that I need to justify my appreciation of a song or any other work of art by jumping through hoops to show that it somehow reflects a Proper Political Statement or that it specifically echoes some obvious Truth that I agree with.
Mac Diva has a post here detailing what songs and artists she has banished from her collection for being politically incorrect. Somehow she thinks she's being very liberal and tolerant and open minded in doing so.
It's funny what things are considered horribly offensive. Used to would be that curse words or sexual content were wicked, but they're generally only mildly considered risque today. It's difficult to conjure up any type of sexual description to universally offend the sensibilities of Decent People. As Cole Porter said, anything goes.
Well, almost anything. Anything that even might be taken to be a racial slight by any white guy is totally unacceptable, however. Shhh! Don't tell anybody about those David Allen Coe songs. However, no one would bat an eye about "Folsom Prison Blues," wherein he shot a man "just to watch him die." All kinds of wickedness and badness are OK to depict, except for ones that offend proper sensitivities. I'd like to talk to the guy who decides what those are.
I profit from listening to the Clash with their cheesie commie fantasies and kick-ass songs. They were pretty wicked indeed, though- and not in a good way- to publicly support the Sandinistas, because they were, you know, goddam murdering communists. How about proclaiming how cool Charles Manson was? He certainly didn't do even a small fraction as much murdering as the Sandinistas. Still, London Calling was the shiznit.
David Allen Coe's wicked humorous race songs tickle my funnybone- especially when balanced with some compensatory classic Richard Pryor or James Brown recordings ["Say It Loud. I'm Black and I'm Proud!"]. Yet I dare not even mention the titles of the relevant DAC songs in this public place. That's just asking for a crucifixion.
Well, alright- just one. At the risk of drawing flames for my grievous hate crime, the key song of these underground David Allen Coe records is called "Nigger Fucker." The title alone consigns to hell any listener who enjoys the record. It details in the first person the humiliation of a poor white schmuck whose woman has run off with, um, a black guy. It's a joke, son. I said, "joke." And the honky is the butt of this one. [THIS DAC ALBUM has some good songs, but none of the infamous underground titles, such as the infamously titled "I Made Linda Lovelace Gag." You can find them readily on the net. That's why G-d made P2P.]
Public Enemy's racist rantings excite me. For one brief peak moment, ie Fear of a Black Planet, PE had the noise. That's just a fine artistic statement, even if the whole conceit of the group was racist and demagogic in ways far worse than the silly personal animosity of DAC. Coe was just venting a spot of personal frustration, with humor at his own expense- not purposely fomenting organized racial animosity like PE was at least pretending to do. [See video and song "By the Time I Get to Arizona."] Please do not mistake my appreciation of a good groove, however, as a sign that I've joined the Black Panthers or the KKK.
- Freedom of conscience 101
- Published: August 10, 2003
- Type:
- Section: Music
- Filed Under: Music: Rap, Music: Pop, Music: Country and Americana, Music: Alternative Rock
- Writer: Al Barger
- Al Barger's BC Writer page
- Al Barger's personal site
- Spread the Word
- Like this article?
- Email this
Save to del.icio.us
Comments
Very real and very personal Al, one of your best. BTW, I think the JB song, which I heard on the RADIO (NPR, blues show) the other night is about drawing the line RIGHT HERE, which has the appeal of concrete finality in a very gray world, which coincidentally may be behind MD's (don't want to speak for her) original post.
Al, your fine posting here brings Eminem to mind. I won't buy his stuff because I do not want to put money into his pocket. But I absolutely listened to his music before judging it. I believe him to be a talented artist, whatever his beliefs, whatever his politics. I don't agree with his professed anti-woman and anti-gay views, naturally, but it would be dishonest for me not to say, for example, that his "Lose Yourself" leaves me breathless each time I hear it. Credit should go where it is due.
Thank you Eric and Tom for your kind words.
Thank you as well, Natalie. I particularly like it when I'm able to please you.
"Kill You" probably rates as my top Eminem pick. I certainly don't literally endorse the behaviors being fantasized. Then again, neither does Eminem.
I do, however, perfectly well identify with those feelings of frustration and rage which he articulates there so well.
I find that if I've been listening to Eminem much, it's a good sign that I probably need to go find some children to play with. An hour or two of active playtime will usually counteract a lot of negative emotional buildup.
I agree Al, very nice article. I think where people might get tangled up is that our culture is (for the most part) so literal and concerte. There seems to be little to no room in it for artistic license.
Prodigy does a song called "Smack My Bitch Up". Of course people were instantly up in arms about it defaming women, while if you see the video it's true meaning of a self-abusing drug addict (woman) who is slowly killing herself.
People need to take it easy and realize that sometimes true artists say things that they would never do either for shock value or just to get a point across.
If gangsta rappers actually killed as many people as they sing about then there would be no southern california left.
Or for humor's sake. Take the Dixie Chicks' "Goodbye Earl"? I'm a pacifist and Gandhian -- and that song is a riot! No one believes any of the Chicks would actually perpetrate violence on anyone else. Wow, I would be ashamed of Natalie Maines if she pulled something like that.
Ooh, another one (the name of the '80s band that performed this sadly escapes me at present; it's been a rough day): "I'm Glad that Elvis Is Dead." No decent person is glad that Presley is dead (and I think I saw him at the Fresh Fields in the organic peanut butter section last week, anyway), but man, is that song a howl.
I'll accept "Goodbye Earl" if you absolve me of guilt for listening to Guns N Roses "I Used to Love Her But I Had to Kill Her."
While we're at it, can I get absolution for liking "One in a Million"?
Oh, Al, I am a huge fan of Guns 'N Roses. Can't stand "One in a Million," personally, but I make no judgment against anyone who does.
Al, you obviously overlooked much of what I said in "Loving the artist, hating the song," in order to pen this tirade. I definitely made it clear that I was interested in how we make decisions about what to keep and what to reject when it comes to music, not a bonfire of the CDs.
Part of the reason I will reject "Ain't Nobody's Business" is that Holiday's life and music often intersected. I am not at all sure she didn't support the sentiments being expressed in the song. On the other hand, I doubt Ry Cooder is an advocate of misogyny, so I won't delete "The Very Thing That Make's You Poor."
As a writer, I am more than a little in touch with the practice of speaking in character, so, as I said in my essay, I take that into account when listening to music. For example, Randy Newman does in character lyrics that are like short stories written in the first-person.
Nor am I a stranger to blue humor as you seem to believe. I've heard everything from Richard Pryor at his lowest down, to Moms Mabley and LaWanda Paige when she wasn't being Aunt Esther.
You underestimate the Diva.
I have no doubt of the Diva's intelligence or good intentions. :)
MD, you are on-target about the intersection between Billie Holiday's life and her art. (I live in Baltimore, a big Billie Holiday town; Lady Day is revered here.) Personally, I find it valuable to hear what, for example, the victims of abuse have to say. And one who was an artist of her caliber? Listening to "Ain't Nobody's Business" helps me know a little bit more of her life, her attitude, her strengths and weaknesses, which helps me understand and appreciate her artistry more.
Please don't take my comments as criticism; I just believe I do myself a disservice when I close my mind to anything. YMMV.
No, I think I understood the Diva perfectly- though the whole post wasn't specifically a response to you. You were kind of a taking off point.
Here's the difference: You won't listen to this recording of Ms Holiday because I am not at all sure she didn't support the sentiments being expressed in the song. Whereas, that wouldn't even cause me hesitation. Indeed, if I thought that this absolutely represented her personal beliefs, that would only re-inforce my interest in hearing it. Indeed, you've got me curious enough now that I'm absolutely going to have to go look it up.
Even if you decide that the narrator of the song and even the singer are dysfunctional, does that make their statement worthless? I think not. Those emotions of shame and defiance and whatever else might be going on there are a substantial part of the human condition, even above and beyond obvious immediate issues of wife beating.
No, Al, it was the Contras who were murdering Communists.
Good. Communists need murdered. Rats must be exterminated.
Don't mind Al; he's just being purposely provocative.
Natalie is correct. I AM being purposely provocative. It is also correct that rats need to be exterminated. Also, any crimes committed by the Contras do NOT excuse the Clash for enthusiastically supporting a murderous communist dictatorship.










Really nice work, Al. A perfect antidote to the Billie Holiday-inspired apathy . . . This is the kind of stuff that makes me proud to be a part of Blogcritics.