Nick Cave - No More Shall We Part
Published August 03, 2003
And I do "get it" about Nick Cave - his songs are melodramatic; his flat, yet soulful baritone voice is melodramatic; the subject matter is, well, not really melodramatic but simply dramatic. I get it, and I get that Cave has found God in the last number of years. What I'm trying to say is, this album doesn't need Kate and Anna's amateurish vocals to make the point. They lyrics and song titles make that plainly obvious. Anything more is just hitting us over the head. Cave wants us to think of Sundays with God under the steeple, and he just can't let the lyrics and music take care of that. And it ruined the album for me. I put it back on the shelf and let it sit - I refused to trade it in, hoping I'd be wrong about the album in time. And I tried, from time to time, and nothing really clicked.
Today I pulled it out for the first time in a couple months, thinking that it had sat long enough, and if I still felt the same way about it I did the first time, then it was time for it to clear space on my shelf for other things I did care about. So in it went into the CD player. And boy, was I wrong. Very wrong. Not wrong, however, about Kate & Anna's vocals - I will never be wrong about that, I'm sure. But the music sucked me in, the melancholic darkness involved me. Suddenly, I could overlook the aspects I'd found irritating. In fact, they were much easier to ignore than the first time through. Plainly said, I really enjoyed No More Shall We Part months after I'd bought it.
First impressions are simply unfair. I know this, having listened to an innumerable amount of CDs since I was about 15 (numbering into the five digits - that's as close as I can figure) that music doesn't always reveal itself on first listen. If anything, I've come to know that more often than not, what pleases on first listen winds up being the album I don't listen to after a few spins. What that says to me is that the music is just "too easy." I listen to music not only because it entertains me but because it challenges me. The music that's stayed in my collection for 15 years (which is very, very little) has done so because I have continually found something intriguing to return to, something undefinable in many cases. I can tell immediately when something is not going to have lasting power with me because it just hits my ear a certain way. Top-40 type music, dance music, anything really popular (or trying to be) is like this - it's just easy on the ears, lacks any amount of depth, and is intended to really just be ear-pleasing filler - not long-lasting entertainment. In fact, a rule I've developed over the years is the Rule Of 5: five times through any album and you will find how you truly feel about it. And more often than not, the "easy" albums that immediately clicked have grown boring while the "difficult" albums have either failed to ignite a spark or have found a permanent space in my collection.
- Nick Cave - No More Shall We Part
- Published: August 03, 2003
- Type:
- Section: Music
- Filed Under: Music: Rock
- Writer: Tom Johnson
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Comments
These are the only two I've heard so far, James. I'm on the prowl for more, but don't want to jump in too deep too quickly. I'm sure I'll get around to hearing everything at some point . . . I'm always up for hearing more good music.
Tom,
I'm an old Cave fan, going back to the Birthday Party days. Just to get an idea of the extent of his music as a "solo" artist (in quotes b/c the Bad Seeds are an important part of his sound--no mere backing band), I might gently suggest picking up Let Love In, The Firstborn Is Dead, and the album that opens up with The Mercy Seat (can't recall the name right now). Murder Ballads takes the moroseness to a difficult depth, too, if you're so inclined. I'm not. Anymore, anyway.
Of course, every other Cave fan would choose something different and call me an idiot, so please ignore me.





There were only a very few points on Nocturama where the band could be accused of rocking out, those being "Babe I'm On Fire", "Dead Man In My Bed" and "Bring It On". (Can't remember how rocking the other tracks were, but I don't recall any of them being as uptempo as those.) Indeed, Nocturama disappointed me greatly because I'd been led to expect the band had rocked things up a bit, and, well, they hadn't. As for "Babe I'm On Fire", I don't get into it for the "intensity", I get into it because I think it's hilarious. The sheer riotous excess of the whole thing is staggering, and I love it for that.
Have you heard The Boatman's Call? What did you make of that?