I Summer Where I Winter At
Published July 05, 2003
I saw Bob Mould at the Great American Music Hall the other night. I don't get out much, and even though I dearly love BM's music and have found delight and inspiration every time I've seen him play, I don't think I would have made the effort to go if it hadn't been for the fact that Kevin Army, a close friend and the guy who produces all my records, was on the bill as the opener.
This is a bit sad, but I have to admit: I rarely see shows anymore unless I or one of my friends happen to be playing. Even sadder, the latter is pretty rare, too. Most of my experience of clubs is hanging around in them waiting to go on. The process of going to the ticket window, giving my name and ID to the ticket girl, saying "I, um, think I should be on the list," getting the little tickets, handing them to the door guy and walking in was far less familiar than it ought to have been, and I didn't handle it quite smoothly. When the box office girl handed me the tickets-- which look like those little tear-off movie tickets-- my first thought was "why are they giving me drink tickets?" This was followed by "hmm, maybe Kevin, knowing I like to drink a bit, left them at the door for me? Oh, right, these are the tickets to get in! Duh!" At the door, I gave the guy the tickets and stood there like GHWB in front of a supermarket checkout, a clubbing naif, totally confused. I finally had to ask "so, uh, what do I do now?" He gestured and said something like "up to you, buddy." So in I went, feeling like a total idiot. Which I was. I should do more of this kind of thing. I'll get the hang of it eventually, I'm sure.
Anyway, it was a great, great show. Bob Mould has lost a great deal of weight, and I didn't even recognize him when he walked on stage. I thought he was a sound guy or something. Then there was this surreal moment when he picked up his guitar and strummed a characteristic chord-with-jangly-open-strings, and with that sound the unfamiliar figure on the stage suddenly snapped into focus visually, sort of "morphed" into the real Bob. His distinctive voice, the mere sound of which for me always conjures an instant cascade of memories, little snatches of what life felt like during various stages over 20+ years of listening to it, completed the "picture." (I understand that mistaking sounds for visions is a characteristic of schizophrenia, but in this case - I'm pretty sure - it was a function of a mildly consciousness-altering collision of emotion, memory, experience, and art.)
- I Summer Where I Winter At
- Published: July 05, 2003
- Type:
- Section: Music
- Writer: Dr. Frank
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