In Pursuit of Paradise - The Beach Boys

Written by Eric Olsen
Published June 29, 2003
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In America, bankruptcy is no particular shame, many entrepreneurs boast of it as a great turning point in their lives - the only failure is giving up. The whole structure is set up so that one doesn't give up. (This is the insidious danger of a permanent underclass. The career welfare recipients have given up, thereby short-circuiting the entire system. America has created a society where everyone desires the same material ends; but a significant portion of that society (the permanent underclass) doesn't have access to the ends through societally approved methods. This has led to an epidemic of acquisitional methods not approved of by society at large, like crime.)

In the introduction to his great rock 'n' roll book Mystery Train, Greil Marcus addressed America's promise: "To be American is to feel the promise as a birth right, and to feel alone and haunted when the promise fails. No failure in America, whether of love or money, is ever simple; it is always a kind of betrayal, of a mass of shadowy, shared hopes."

Bruce Springsteen addresses this promise in the aptly titled "The Promised Land," from Darkness of the Edge of Town:

    "...Gonna be a twister to blow everything down
    That ain't got the faith to stand its ground
    Blow away the dreams that tear you apart
    Blow away the dreams that break your heart
    Blow away the lies that leave you nothing
    But lost and broken hearted"


The Promise is what we make of it. The Promise is not a guarantee, it is the structure of opportunity. To survive its rigors is tantamount to surviving a storm. Don't be deceived by false promises, promises of material wealth are not the point. The point is the struggle itself. America offers an environment where the impediments to an honest struggle have been minimized.

The Promise of America is a beautifully manicured, well-lit field on which to play ball, and the umpires to make sure that the contest is run by the rules. We must pick our own team and choose our own opponents. The Promise is not one of victory.

    "Mister, I ain't a boy, no, I'm a man,
    And I believe in a promised land."

With this song and this album, Springsteen graduated from the perpetual summer of Born to Run to the autumn of adulthood. Springsteen had the will power and the artistry to make this transition. It was much-resisted. Darkness sold poorly compared to Born to Run but Springsteen persisted - yet another story.

It is exactly this transition from boy to man, from notions of Paradise to the realities of the Promise, which the public did not allow Brian Wilson and the Beach Boys to make. Brian's frustration at the blockage of his public maturation exacerbated personal instabilities and amplified his drug abuse. Wilson's subsequent emotional breakdown incapacitated him for much of 20 years.

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Career media professional Eric Olsen is honored to be the founder and publisher of Blogcritics.org, which, quite frankly, rules - as do his wife and four children.
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In Pursuit of Paradise - The Beach Boys
Published: June 29, 2003
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Section: Music
Filed Under: Music: Classic Rock and Oldies, Music: Pop
Writer: Eric Olsen
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#1 — June 30, 2003 @ 07:28AM — Bill Sherman [URL]

Phew! You pack quite a lot in this appreciation (goin' for a bit of Griel Marcus-ianism yourself, eh?) Only thing I'd take critical issue with re: the band itself is your assertion that the seventies was a fallow period for 'em. That may've been so in terms of radio hits, but I'd stack Sunflower or Surf's Up, maybe even Holland, up against a disc like Summer Days and Summer Nights for some gorgeous sounds. (I've long felt that Love You was more than a bit overrated - cartoonist Peter Bagge once called it the Beach Boys album for people who don't really like the Beach Boys and he may be right.) The albums as albums may not be perfect - the only solid monument that band produced was arguably the great Pet Sounds - but as celebrations of California life in the early seventies they're unsurpassed.

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