Reasons Why American Taste in Music Sucks Harder Than Your Mother

Written by Vivian St.George
Published June 07, 2003

I just wanted to begin by saying that I fully intend of becoming a resident of the U.K. before my thirtieth birthday. I don't remember who said this quote, but it went something like this: "The British love America for what they have, and the Americans love Britain for what they have not." Did that make sense? Anyways.

Let's focus on the music, shall we?

I'll start off by addressing Supergrass and the Libertines. First of all, Supergrass rocks. Second of all, the Libertines rock harder. Why oh why aren't they getting the press coverage they deserve here in the states? I'm not even going to bother to ask why they're not getting any radio play. Clear Channel would have my ass on a stick for even SUGGESTING the idea of playing good music on the radio. Pardon, o Clear Channel Gods. I did not mean to offend you with my rebellious ideas. Supergrass recently made an appearance on Carson Daly's late night show, and I almost shit in my pants (had I been wearing pants at that particular hour of the evening). Just the two guitarists, and it was great. I strongly reccomend that you all jump on your P2P networks right now and check out some tracks from their latest release, Life on Other Planets.

I discovered the Libertines on nme.com, formerly my favorite source of new music, but now just a bunch of gossipy drivel. They're equally as rocking and yet in a different way. Look for tracks from their album Up the Bracket. I mean really, anything remotely related to the Clash (Mick Jones poduced it) is automatically good.

You haven't even gotten me started on Idlewild yet. America, what the feck is wrong with you? Idlewild rocks almost as much hot monkey ass as the Matrix! And yes, I like Robbie Williams.

PLUS, they even recognize American brilliance when they see it. I'll bet there's more people (proportionally speaking) in Britain who enjoy Spoon and Grandaddy than here in the states. I'm disappointed, guys. Whatever happened to patriotism? Support your music scene!

More ranting later, kids. I'll be bitching about the State of the American Music Scene throughout the summer.

Keep reading for information and comments on this article, and add some feedback of your own!
Buy from Amazon.com
Life on Other Planets Life on Other Planets
Supergrass
Music,
Kill the Moonlight Kill the Moonlight
Spoon
Music,
Up the Bracket Up the Bracket
Libertines
Music,
Escapology Escapology
Robbie Williams
Music,
The Remote Part The Remote Part
Idlewild
Music,

Reasons Why American Taste in Music Sucks Harder Than Your Mother
Published: June 07, 2003
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Section: Music
Filed Under: Music: Rock
Writer: Vivian St.George
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Comments

#1 — June 8, 2003 @ 04:38AM — Al Barger [URL]

Could you be more specific as to which couple or three songs each from these supposedly great unknowns we unwashed American heathens should hunt down to find what we've been missing?

#2 — June 8, 2003 @ 12:36PM — Phillip Winn [URL]

Every time I check the British singles chart, it seems to be populated almost entirely by dance tracks. The album chart looks like a lot of bands available and popular here stateside.

There are plenty of great British bands, but the good ones seem to end up over here more often than not.

#3 — June 8, 2003 @ 14:37PM — vivian [URL]

oops, sorry, guess i should've been more specific. these are just tracks i like, but definitely try to explore more. supergrass has been around for a while so of course their sound has changed.

supergrass:
never done nothing
pumping on your stereo
run

the libertines:
vertigo
up the bracket
death on the stairs

enjoy!

#4 — October 14, 2003 @ 18:10PM — Albatross

Exactly. What has happened to america's taste? How the feck do acts like Good Charlotte or Nickelback get any recognition whatsoever? How many times can kids swallow the same black dude in the same situation (party/club, girls, shiny cars, drinking). And is it just me or does every new rock band sound and look just like each other.

I still don't agree with Grandaddy being so good. Frankly some of their stuff just plain blows. I mean the Sophtware Slump? Snot on a cracker. Give me the Strokes or Interpol. Give me some Broadcast. Give me some Solex. Primus still rocks. White Stripes not to shabby. Elliot Smith is so good. Modest Mouse yes. Cat Power yes. Metallica blows. Aesop Rock rocks. Creed--what the fuck? MTV can blow me. And can somebody tell me how those NOW (that's what i call music) cd's sell so well. America, what the hell is wrong with you?

#5 — October 14, 2003 @ 18:20PM — Eric Olsen

Albatross, though your taste is pretty narrow, what you like rocks.

#6 — October 14, 2003 @ 18:48PM — frost@work

narrow indeed. also, 99% of british bands want to make it in the US (ie. Robbie williams has in his new contract a stipulation that he 'make it' on us radio and charts).

Hey at least we can thank you for Prodigy, Saviour Machine, (old) Blindside, Comity, etc.

However I think that just the mention of Oasis negates almost all positive contributions of the modern age.

#7 — October 14, 2003 @ 18:49PM — Eric Olsen

Damn Mike, i agree, I just have neve gotten Oasis no matter how hard I've tried, and I have tried.

#8 — October 14, 2003 @ 19:00PM — Tom Johnson [URL]

"Every new rock band" has always looked and sounded like all the others. What stood out were the few that did NOT sound and look like all the others. That's why we still remember Hendrix, the Beatles, Cream (I'll stop here, you fill in the other 5 million.) These were the unique bands. It's easy to look back and think that only a few things today are really unique, special, and new, but it's always that way and it has to be that way. When one band gets big, A&R reps head out to the clubs to find another band that sounds just like them. We wind up with countless numbers of sound-alikes, and they'll fade back into obscurity with time. The quality stuff will stick around. Darwin's theories apply to music just like they did with living creatures. The strong survive, the strong adapt. What doesn't goes extinct. In 1967 there was a million guys who decided they could do what Hendrix was doing, got contracts, put out music that sounded just like Hendrix, and promptly faded into oblivion after selling a few singles. Where are they today? Nowhere. No one cared because they didn't do anything different. It's so easy to say that everything sounds alike today, and so wrong. We just get more exposure to it because this stuff is everywhere - TV commercials, movie theaters, the mall sound system, telephone ring tones. We're in the same dismal musical state we've always been in, at least since the mid-60s when rock really took off.

In other words, quit yer bitchin'. Keep coming back to Blogcritics - we know the good stuff.

#9 — February 24, 2004 @ 20:54PM — SOL74D

The deal is that America has been down breeding for a few years and the vast majority of the population for one reason or another has become half retarded. Half retarded people buy half retarded music. Seriously there is something terribly wrong with this country , I am not sure if the rest of the world has figured it out yet but the U.S. is about to flush itself down the toilet for good. Can you really expect any place that has wiping instructions on their toilet paper and where people are dumbfounded that cheeseburgers are high in fat to have good taste in art or music?
Take those facts and combine it with the fact that the music industry doesnt know how to change with the times and roll with the punches. Any example of a late eighties band is an example of how stale the American music scene has to get before it realizes it and stops spoon feeding us the same old awful crap. Take those two facts and combine it with the fact that the single largest purchaser of records in this country is radio stations and that like 48% of the radio stations which play new music in this country are owned and run by two or three companies. So if some thing terrible wants to get on the billboard charts they dont actually have to sell that many albums to consumers right away. they just have to convince the radio stations that there is a huge buzz about their artist. zang! the radio stations buy up them albums and jam it down our throats till they convince the half retarded listeners that this is the best song/album and everyone is buying it. and pow a childmolesting alien can have a #1 hit.

#10 — April 29, 2006 @ 09:38AM — Micky [URL]

Agree completely with SOL74D. Phillip makes a good point. I analysed the UK album chart that Phillip referred to above and, of the top albums, 16 were American and Canadian! Shocked!

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