Very interesting post - good balance between recognition and concerns. I have issues with Cornell West, but he makes sense here. Thanks.

I would consider it a good thing that people don't notice the predominantly cast of "black people". It means that, in general, people have been exposed to enough diversity that they no longer recognize it anymore, which is a sign of diminishing racism. That sort of doesn't make sense, but I'll relate it to a South Park episode (yeah strange association but it brought up a good point) in which the town of South Park was debating over the issue of the town flag (which shows a "black" person being hung by 4 "white" people). The kids were "so not racist" that they didn't even see it as a "black" person being hung by 4 "white" people, but instead saw it as just a "person" being hung by 4 "people". So thus, if people don't realize that The Matrix: Reloaded is made up of a predominantly "black" cast, then that means that they see everyone in the cast merely as people and not "black" or "white" or any other shade.

Madison,

While there is that "Where's my pu***?" moment in the Matrix, I think the most perverted sexuality on display is exclusively white--that French dude manipulating that anonymous (white) woman, and his wife manipulating Neo.

I think the concentration on Neo and his gf is a product of the plot--their relationship figures in the plot more than any other love relationship in the movie. Morpheus's relationship with his former gf (I don't know this movie that well, don't remember the names), for example, is important for the fact it is over, so Morpheus doesn't have any hot scenes.

I would have liked to have seen more inter-racial relationships in this imagined future, though. As far as I remember, whites exclusively pair with whites, and blacks exclusively with blacks. But that doesn't seem like an accurate reflection of where we are headed right now as a society.

I wouldn't say that only black people have noticed it, either. Maybe very few white people are making a point of it in print, but I was certainly pleased to notice on opening night that the crowd in the theater looked a lot like the crowd at my church every week - around 50% white. I noted that strong dominance of non-whites in the cast. Heck, when Link came home, I realized that I recognized each of the three adult actors in the scene, and could quote where I'd seen them (Firefly/Angel, Nothing to Lose, and Romeo+Juliet). I'm still not sure if that's good or bad, but I noticed it.

If you want to dig into things really deeply, note that while ship captains and military commanders, as well as the general populace, reflect a strong minority contingent, the Zio council was still liberally weighted with white people. There are always things that might seem worth complaining about, but rarely are they really worth it. This movie marks a great bit of progress for a lot of reasons, and one of those is surely how color-blind it seems to be.

Typically, though, one can still complain if one chooses to. No visible interracial couples is just one complaint, I'm sure that there will be more.

We are having a thread about this at the William Gibson board ("Wide-spectrum cast in cyberpunk peaks in Matrix Reloaded") and what i actually like in "Reloaded" is the fact that color and nationality are actually made irrelevant.

"I would have liked to have seen more inter-racial relationships in this imagined future, though"

Brian, that's a good point. I thought of it but forgot to add it into my critique. Thanks for bringing it up.

The most entertaining moment of the Matrix 2 for me was the brainchild of a fellow viewer in the seat behind me and showed the true beauty of the varied cultures in this land we call America. As the character of Link was being developed and his emotional ties to the whole scheme of things were coming into focus, a comment was flung from the peanut gallery behind me. Making loud comments during movies is common practice for many African-Americans (which often annoys uptight white folks) and these comments are often well spoken. The lovely lady behind me says and I quote "Damn, you know he (Link) gonna die". She knew as most know, that when the black actor starts having character development he is gonna die. This is a staple of horror flicks. Now that is some racist shnizzle. To that lady, I give my respects, I laughed my a** off. She also slammed all of the dialogue cliches, BEFORE Keanu could mumble them out. I chimed in with her in a chorus for the "You could have just asked" line. God he should have just said "Hasta La Vista Baby". But back to the point, her lively interaction made for a great viewing experience in my opinion, it was like MST3000 Live. And to the African-American commenters out there, keep up the good work, you are the life of this country, the true human spirit, unbridled and uncompromising. And to the white, honky, crackers like myself, take a lesson from a people who still have some sense of spirituality. Piece.

Well, I have to say that if Metrix Reloaded is a step against racism in the movies, it's a small one indeed.
Zion: lots of black people, but there are way more asiatic people in the world than black, and I don't see much of them. And where are the mixed couples?
And (maybe its just me, being european and all...) how come the bad guy is french and his evil minions are the true representatives of racial diversity in the movie(though not sexual diversity-all male)?
The 2 twins, who are white, are european too (english).
So, you see, racism and xenophoby are clearly there.

The only flaw with the Matrix is that it's a "burning trash can", post-apocalyptic future--so some KKKlansman can easily claim that, "Well, that's what you get when you let the NIGGAHS run the show!" In contrast, Star Trek is predominately cast with whites and within the Federation there's no poverty, bigotry, atrocity, etc. So the goal is to have the best of BOTH worlds: a utopian future like Gene Roddenberry's BUT with a Matrix-esque cast running the show.