The Crow Road
Published May 02, 2003
The Crow Road by Iain Banks. I was somewhat surprised to realize that this will be the sixteenth Iain Banks book put on the shelves of books that have been read (as opposed to the unread/ to-be-read/ bought-it-years-ago-and-am-never-likely-to-read-it-but-can't-bear-to-get-rid-of-any-books-ever shelf). That's not a record or anything-- we've got way more Rex Stout than that, more Pratchett than that (though those are scattered around a bit), and Brust is in the same neighborhood. It's just that Banks is a somewhat weightier read than the other authors in the mid-teens.
I bought this one a couple of years ago, in Bordeaux, France, of all places, but somehow never got around to reading it. Of course, the opening paragraph is the stuff of legend:
It was the day my grandmother exploded. I sat in the crematorium listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.
How I managed not to continue with this, I'm not sure.
Surprisingly, this is one of the rare examples of the Nice Iain Banks. Death figures prominently in the story-- I seem to recall it being described as "four funerals and a wedding"-- but none of the deaths are gratuitously nasty. It's hard to believe this is the work of the same twisted individual who wrote The Wasp Factory and Complicity, to say nothing of the deeply unpleasant A Song of Stone.
And yet, there's a wit to it, and a dark humor that is unmistakably Banks. Most of the books is told from the point of view of Prentice McHoan, the aimless middle son of an affluent Scottish family, and his cynical take on the world generates one good quip after another. Other bits focus on other members of Prentice's family; these don't have the same kind of biting wit, but instead have a sort of clever warmth that's really quite charming.
- The Crow Road
- Published: May 02, 2003
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- Section: Books
- Filed Under: Books: Literature and Fiction
- Writer: Chad Orzel
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Comments
I think "The Crow Road" is my favourite Iain Banks mainstream novel and some of his best writing. My personal favourite is this paragraph:
"Beside the thick-necked bulk of the Urvill of Urville (soberly resplendent in what I assumed was the family's mourning tartan - blackish purple, blackish green and fairly dark black) sat neither of his two daughters, Diana and Helen - those long-legged visions of money-creamed, honey-skinned, globetrotting loveliness - but instead his niece, the stunning, the fabulous, the golden-haired, vellus-faced, diamond-eyed Verity, upwardly nublile scionette of the house of Urville, the jewel beside the jowls: the girl who, for me, had put the lectual in intellectual, and phany in epiphany and ibid in libidinous!"
That, and name-checking The Pixies. "Crow Road" was also made into a teevee mini-series in the UK.
Banks also wrote perhaps the best and most authentic novel about a rock band, "Espedair Street".
I haven't read all of his mainstream stuff (Walking on Glass and Espedair Street are on the to-be-read shelf), but I've liked The Crow Road the best of the ones I have read. Complicity cheats a little, and The Wasp Factory is just a little too gross, and not entirely successful at doing what it does (Bradley Denton's Blackburn does something similar, and does it better).
The best thing of his that I've read is either Use of Weapons or Look to Windward, but it's hard to say which.




What an opening sentence! How did you ever manage to not keep reading? I will certainly have to pick up the book now...