Get the Led On
Published April 29, 2003
Led Zeppelin: revered and vilified, sometimes by the same person - the personal, lyrical, and sometimes musical excesses (particularly live) are easy to ridicule, especially in retrospect, but there is ample reason why Led Zeppelin was THE best-selling rock band of the '70s.
Over a 10-year career from '69-'79, Led Zeppelin was the most popular rock group in the world, ultimately selling over 50 million records in the U.S. alone, developing the blues-based power trio-plus-lead singer archetype in many directions including mystical English folk-rock, Middle Eastern-influenced exotica, quirky pop, and every manner of heaviness.
Their ubiquity on classic rock radio formats and the aforementioned excesses have led many to dismiss the band as overrated and symptomatic of the decline of rock 'n' roll in the '70s. The super value collection, Early Days and Latter Days: Best of Vols 1 and 2 (2 discs, only 16.95 through Amazon), prove that, if anything, the band's MUSICAL greatness is still underappreciated, due to the previously mentioned resentments, and the fact that the band had no particular cultural impact - they didn't much stand for anything.
Jimmy Page, who had led the last incarnation of the Yardbirds and had been an extremely successful session guitarist (Who, Kinks, Them, Donovan, Joe Cocker), formed the band with veteran session bassist John Paul Jones, 19 year-old singer Robert Plant, and Plant's friend, drummer John Bonham, in '69. Commenting upon Page's low expectations for the success of the band, Keith Moon suggested the name "Led Zeppelin."
They were both wrong: Led Zeppelin l, Led Zeppelin ll and Led Zeppelin lV (Zoso) are among rock's greatest albums, with Plant's vocals reaching levels of deranged ecstasy matched perhaps only by Little Richard, Bonham's drums pounding relentlessly like a nimble elephant dancing through the house, Jones' bass gluing the disparate elements together, and Page, who did most of the writing and production, playing some of the most fundamental and memorable guitar in rock history - from the heaviest crunch to the most delicate acoustic finger picking.
Give them another chance and see if you aren't convinced. At that point, you can pick up the Complete Studio Recordings box set, which is also a steal at $116.99. And don't forget the new live recordings and DVDs coming in May, sparking an inevitable revival.
- Get the Led On
- Published: April 29, 2003
- Type:
- Section: Music
- Filed Under: Music: Classic Rock and Oldies, Music: Hard Rock, Music: Rock
- Writer: Eric Olsen
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Comments
THE ZEPPELIN HAD NO CULTURAL IMPACT?ARE YOU HIGH?THEY ONLY REDEFINED ROCK AND ROLL FOR A SECOND TIME(THE BEATLES REDEFINING IT INITIALLY),AND HAVE INFLUENCED PRETTY MUCH EVERYTHING SINCE.AS FAR AS MUSICAL EXCESS IS CONCERNED,WHEN A BAND IS THAT GOOD,LET 'EM JAM UNTIL THE SECOND COMING.I,FOR ONE,AM TIRED OF HEARING THAT PATHETIC CRITIQUE(AS WELL AS THE PLAGIARISM CHARGES CONSTANTLY LEVELLED AT THEM BY IDIOTS WHO HAVE NO GRASP OF AMERICAN BLUES OR ZEPPELIN'S COMPLEX RELATIONSHIP TO BEFORE MENTIONED BEAUTIFUL MUSIC).IN CLOSING,OLSEN,THE BAND FORMED IN '68.THE FIRST AMERICAN PERFORMANCE TOOK PLACE 12/26/68,DENVER,COLORADO.AND YOUR THE EDITOR?WHERE CAN I APPLY?







IF I never hear "Stairway to Heaven" again, I will die a happy man.
The best Zep songs are the ones "classic rock radio" have forgoten, or never played in the first place. As with many albums of that era, they were meant to be listened to a side at a time, not just for one song.
I will keep my cassettes of Zep until they break, but I have a hard time shelling out the big bucks for more recordings of songs I know by heart.