No High Fidelity Here

Written by Bobby Allison-Gallimore
Published January 22, 2003

On Monday night, I watched Comedy Central's network premiere of High Fidelity, the John Cusack comedy about love, Top 5 lists, and rock 'n' roll. I'd never seen the movie before, and enjoyed it for the most part, except for some parts that just didn't seem to add up. Last night, I found out why.

Comedy Central pretty much emasculated the movie. They did a real number on it. I'm not talking about the profanity--I'm talking about essential plot points.

For instance, when Jack Black and Sonic Death Monkey sing "Let's Get It On" at the end of the movie, it seemed, on Monday night, like just a nice little ending. On Tuesday night, I figured out that in reality, Marvin Gaye and "Let's Get It On" were a recurring theme throughout the unedited movie, and, in fact, Cusack's character Rob gave credit to the song for his relationship with Laura. All of a sudden, that last scene takes on a whole new significance.

The editing also seriously diminished the roles of Rob's two record store employees. While in the unedited version they are crucial comic relief, in Comedy Central's version you're left asking yourself exactly why they were thrown in so randomly when they seemed so unimportant.

Perhaps the most atrocious editing involved cutting Rob's explanation of the four factors for the breakup that Laura shared with Liz. By cutting the explanation, Rob lost a lot of my sympathy on Monday night. By the end of the movie, I was fairly indifferent as to whether this dipstick should actually get Laura back. On Tuesday night, with the explanations, I realized that I was supposed to be rooting for the reunion, after all.

Comedy Central should be ashamed. While they issued the disclaimer that the movie had been edited for language and content, they didn't mention that essential plot points had also been gutted. I wasted two hours of my time watching a movie on Monday night that was presented in a manner that preserved no artistic integrity whatsoever. How about a little higher fidelity in the future, hmmmm?

Bobby Allison-Gallimore's current Top 5 activites: 1) Studying for class, 2) Going to basketball games, 3) Writing for BlogCritics, 4) Writing for The Rattler, 5) Going to Thursday's Great Divide concert in Manhattan, KS.

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No High Fidelity Here
Published: January 22, 2003
Type:
Section: Video
Filed Under: Video: Comedy, Video: Music, Video: Romantic Comedies, Video: Television
Writer: Bobby Allison-Gallimore
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Comments

#1 — January 22, 2003 @ 13:33PM — Ryan [URL]

That is exactly why I steer clear of television interpretations of movies. They're are much better overseas, where they frequently show the entire unedited film.

#2 — January 22, 2003 @ 14:08PM — Bill Sherman [URL]

This is very annoying: as a onetime vinyl store nerd (more Todd Louiso than Jack Black, unfortunately), I love the record store scenes (which were more true-to-life than many of us'd like to admit). And considering how much Comedy Central plugged the "network premiere" of this movie, it's doubly appalling to read how much they fucked w./ it.

#3 — January 23, 2003 @ 07:28AM — James Russell [URL]

Jesus. I knew the US was hard on editing profanity from films but I thought they'd have outgrown the practice of cutting the film wholesale to fit a timeslot.

#4 — January 23, 2003 @ 17:00PM — Steve Rhodes [URL]


I don't watch films on television anymore (with the exception of uncut old films shown on the PBS affiliate Saturday nights and TCM when I have access to cable).

Why watch a cut version of a film with commercials when you can just rent it on DVD (and the DVD of High Fidelity is great)?

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