Godsend for Old Films: Digital Restoration Without a Master
Published November 25, 2002
Paramount to release Sunset Boulevard and Roman Holiday on DVD - restoration made from Library of Congress copies:
- "The whole point is to preserve the films the original way they were done in theaters," said Phil Murphy, senior VP of operations for the TV division at Paramount.
The studio used copies of the films from the Library of Congress when restoring the movie. For "Sunset Boulevard," "It gave us a reference for what (director-writer Billy) Wilder and the cinematographers intended 50 years ago for you to see or not to see," Murphy said.
The restoration was aimed at producing not only a cleaned-up image for DVD but also a new film print. Both films were made on silver nitrate, which eventually deteriorates. Paramount had backup copies of the original internegative made some years after the initial release of the films. From that, the studio made film copies on safety stock.
Lowry Digital Images, hired for the restoration, scanned all frames of the movies from those safety films into 300 computers that held the raw data. Lowry scanned in the images at an ultra-high 2,000-line resolution, above the typical 1,080 lines of resolution for high definition and 525 lines for standard TV. That was needed so that the images could be placed back on 35mm film, a process that was an industry first, according to Paramount.
The first year of the restoration was spent testing one section of the films, cleaning the dirt and fixing scratches while developing the ultra-high-resolution clean-up process. It took another year to clean the rest of the films. After upgrading the resolution and removing flaws, the studio copied them back onto film and DVD.
The studio will screen the new 35mm film prints at the Museum of Modern Art in New York on Dec. 1-2.. [USA Today]
- Godsend for Old Films: Digital Restoration Without a Master
- Published: November 25, 2002
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- Section: Video
- Filed Under: Video: News
- Writer: Eric Olsen
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kindly guide me how to buy ?
Motion Picture Restoration : Digital Algorithms for Artefact Suppression in Degraded Motion Picture Film and Video
by Anil C. Kokaram
regards
koushik bhattacharya




The work being done on saving films these days is heroic. TCM put out a great documentary called The Race To Save 100 Years which quite graphically illustrates how difficult the job can be, especially when there's not nearly enough money to go around for this work. And yet they succeed in doing things like restoring Becky Sharp to its original form when all they had to work with was ten minutes of three-strip Technicolor footage, a cut-down later two-strip colour reissue, and a black and white print of the complete film. Despite those limitations, they somehow succeeded in getting the entire film back to its proper condition.