Top Ten Post- Records

Written by Travis Lee
Published November 05, 2002

Inside of everyone, there is a post-punk, post-hardcore, post-rock, or post-emo niche that needs to be filled. The times are changing, record labels are picking up and dropping bands faster than Florida can count election ballets, CDs are overwhelming the store shelves. The solution? This list - it's built to fill your every post-anything needs - and you do need it.

10. Sparta - Wiretap Scars (Post-Emo goodness from the 3/4 of At the Drive In)

9. Crash Rickshaw - Crash Rickshaw (Post-Punk/hardcore ... Sunny Day Real Estate meets Fugazi)

8. Fugazi - 13 Songs (Post-Punk; grandaddies of it all)

7. Refused, the - The Shape of Punk to Come (Post-Hardcore's godfathers from Sweden.)

6. Mewithoutyou - [A-->B] Life (Post-Hardcore/Punk - Christian rock style)

5. Hot Water Music - Fuel For the Hate Game (Post-Hardcore/Punk's best kept secret)

4. Fugazi - Red Medicine (Post-Punk)

3. Fugazi - Argument, the (Post-Punk)

2. Hot Water Music - Forever and Counting (Post-Hardcore/Punk)

1. Hot Water Music - Never Ender [2CD] (Post-Hardcore/Punk)

Keep reading for information and comments on this article, and add some feedback of your own!
Buy from Amazon.com
Crash Rickshaw Crash Rickshaw
Crash Rickshaw
Music,
Fuel for the Hate Game Fuel for the Hate Game
Hot Water Music
Music,
Red Medicine Red Medicine
Fugazi
Music,
The Argument The Argument
Fugazi
Music,
Forever and Counting Forever and Counting
Hot Water Music
Music,
Never Ender Never Ender
Hot Water Music
Music,

Top Ten Post- Records
Published: November 05, 2002
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Section: Music
Filed Under: Music: Alternative Rock
Writer: Travis Lee
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#1 — November 5, 2002 @ 21:07PM — Amber Nussbaum [URL]

Not a bad list. Would have liked to see a little less of HWM on there, although they're good, they're not THAT good. What about Jets To Brazil?

Good idea for a post, though. And mad props for listening to so much Fugazi.

Rock on.

#2 — November 6, 2002 @ 11:16AM — Travis Lee [URL]

I must have been waisted when i wrote this..i forgot Jawbreaker, Jets to Brazil, Further Seems Forever, Modest Mouse, Built To Spill, and more...oh wait...they're indie rock..looks like another list :)

HWM = My fav.
Radiohead = My second fav.

#3 — November 6, 2002 @ 11:51AM — Eric Olsen

I am curious as to how one becomes "waisted." Is that like becoming "truncated"?

#4 — November 7, 2002 @ 15:33PM — The Theory

I am very very much impressed with the inclution of Crash Rickshaw and Me.Without.You.

I was actually listening to MeWithoutYou as I was reading your list.

peace.

#5 — November 7, 2002 @ 15:35PM — The Theory

and as a side note, "christian rock" is not a style of music...

peace.

#6 — October 27, 2005 @ 03:41AM — Siamese Dogs Records [URL]

If you think punk rock started in England, well, you're dead wrong! Punk had its roots with bands such as MC5 / Iggy & the Stooges, etc. These bands would later define an entire generation. Yes, punk rock begun in America. And if the Ramones and The Heartbreakers (Johnny Thunders band) didn't tour England during the 70s there would mostly likely be no British punk as we know it. This compilation assembled by Philippe Mogane documents the seminal proto-punks of the U.S west coast during the late 1960's, 70's, and early 80's, with bands ranging from the obvious [The Stooges, The Weasels, The Controllers], to the obscure [Max Lazer Band, The Attitude, Nu Americans], all dignity flattened and remastered for your modern convenience. And it's definitely a worthwhile addition to anyone's musical collection.
Review by Willie Desamero.
Welcome to Siamese Dogs Records! Home of The Godfathers of Punk and out of control Rock & Roll!
GODFATHERS OF L A PUNK
A compilation of Siamese Records Punk/Rock Bands, released today on Siamese Dogs Records, a label set up by Philippe Mogane. He first set out to the States in 71 to track down the Stooges, found them, took pictures of them (a few exclusive ones in the inlay), and released I GOT A RIGHT on the Siamese label with then Stooges guitarist, James Williamson as V.P. This kicks off the pre-street punk party and along the way you'll get the original "Neutron Bomb" by The Controllers, a track that inspired the Weirdos. Black Sabbath and Doors fanatics - The Weasels toured for a few years in Southern California with Van Halen opening up for them (pre-spandex), they contribute "Beat Her With A Rake" a song about .. You guessed it, woman beating! Although the general public decided to storm record shops to destroy the record, it was nevertheless deemed a classic and was played the shit out of on KROQ (Probably LA's biggest Rock station.) The Attitude contribute Hound Dog (Yes, that one) with Little Richard (Yes, that one) on piano! Deemed too blasphemous at the time, it didn't get any airplay at all, and the band ended up "killing each other" whilst trying to record an album. Max Lazer was probably one of the What you get here is an excellent insight into some of the best bands LA had to offer.
Come Punkin' in the Free World!!
Mickey Finn & the Blue Men album "Black Hole", PM 1002 SDR.
http://siamesedogsrecords.com

#7 — October 27, 2005 @ 04:00AM — alienboy [URL]

i thought that, even though its roots were as you say, Punk did indeed get all its style, attitude and indeed great music from the UK.

The US punk scene did produce some great bands, but the whole cultural ethos was imported.

#8 — November 3, 2005 @ 02:37AM — Siamese Dogs Records [URL]

Earth to Outta There,
Funny how appearances and marketing (clothes Fashion,...) can cover Reality, even the Roots. The purpose of my answer is not to get into a high school quarrel or delivering Grades.

Saying that R n' R is not American is as ludicrous (midly said) as to affirm Humanity started 5.000 years ago. The United States is an incredible hive of talents and genres. It's also its bane for its musical currents are sporadically pursued all over the country. Rock, Punk were unnamed and un(ac)claimed (while nowadays it's becoming too much, too controlled, too fake.)

Remember that while Hollywood or Nashville(as examples)were continuing their businesses, contestation was growing in working class suburbs around Detroit in 1968/69 with bands like The Stooges, MC5, even Bob Seger, The Amboy Dukes (Ted Nugent), Mitch Ryder and the Detroit Wheels, ... Mushrooming in NYC with The New York Dolls, Patti Smith, Television, The Ramones, etc... I met the Dolls in 1970 and Patti in 1972, after discovering "1969" and "1970" and already Words, Music and Attitude were guiding a new generation.

Question is: Are Fashion and Marketing the only factors of R(e)volution?

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