Sopranos Review of Episode 4, Season 4

Written by Radley Balko
Published October 10, 2002

The title of this episode was "The Weight." May as well have been "The Tease." Writer Terence Winter tickles us with not one, but two potential hits, and a scurrilous affair between Carmela and Furio. In the end, we get nothing. Johnny "Sack" Sacramoni cancels his hit on Ralphie Cifareto at the very last moment. Johnny Sack himself comes around on making Ralphie's unfortunate comment about his wife a hit-worthy offense. The episode ends with Johnny informing Tony that he "accepts Cifareto's apology." It's not entirely clear if Tony cancels the hit on Sack. As for Carmela and Furio, she takes great pains to put checks on her lustful ambitions. She brings A.J. along, for example, when she visits Fioro's house, and instructs him to stay close by. The episode ends with an awkward and uncomfortable lovemaking session between Tony and Carmela.

This episode was mostly an effort to subvert public fantasies about mob life. We see Johnny Sack display the kind of chivalry we sort of delude ourselves into thinking exists in the underworld. Yeah, wiseguys gun one another down. Yeah, they take mistresses, deal dope, and embezzle. But the do have a moral code, right? They value loyalty. They may cheat on their wives, but they still love them. They take vows of fidelity to the Family, and they respect other made men. This episode rocks those alleged foundations.

Sack's love and respect for his wife earns him nothing but grief from his fellow mafiosos. Ralphie's crack about the size of her ass was by no means the first time someone's made a joke at Ginny Sack's expense. And when Johnny demands that Ralphie get whacked for the crack, not only does Carmine, the boss he's served most of his life not oblige, but Carmine then turns and orders a hit on his number one guy? Why? Because "there's millions of dollars at stake." Winter's reminding us here that the motivating factor in the underworld isn't loyalty or chivalry or Family, it's money. And not even a lot. Sure, the Newark waterfront project is worth "millions," but it isn't as if Ralphie is the only guy who can manage it. At most, it'd cost a few thousand to reposition a new capo to oversee the operation.

page 1 | 2 | 3
Keep reading for information and comments on this article, and add some feedback of your own!
Sopranos Review of Episode 4, Season 4
Published: October 10, 2002
Type:
Section: Video
Filed Under: Video: Drama
Writer: Radley Balko
Radley Balko's BC Writer page
Radley Balko's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by Radley Balko
Video: Drama
All Video Articles
All BC articles
All BC Comments

Comments

#1 — October 14, 2002 @ 11:55AM — Terry

Does anyone know the title and artist of the song that Carmella and Furio dance to at Furio's house-warming party? Thank you very much.

#2 — October 16, 2002 @ 09:51AM — Adam Lounsbery

"Seemed a little farfetched that Meadow and Tony's shrink Melfi's son and Melfi's shrink Elliot's daughter all go the same school."

Actually, they don't. Meadow and Saskia (Elliot's daughter) both attend Columbia, but Melfi's son Jason attends Bard College (David Chase's alma mater).

#3 — October 18, 2002 @ 11:08AM — Boris

The music from that episode, for those who are
interested, was from a band from Naples,
Spaccanapoli. Their only CD, containing those and
other songs is available from Amazon.

#4 — January 26, 2004 @ 00:38AM — MrMOB [URL]

The "doddering old fools with bad or no eyesight" were handed a photograph of Johnny Sack & Tony and told that their target was the guy on the left. I suggest there's a chance that when the hit is finally done, they might go for the wrong person: after all, it is the whacko son who'll actually carry out the contract, and he didn't look too bright. And he's being led by senile old fools who can't see. This could lead to a very amusing and confusing set up some time down the track.

#5 — December 6, 2004 @ 01:51AM — Nelson Donley

The Sopranos series supplies what was missing in the Godfather trillogy. I have yet to see a series half as good as The Sopranos. Bravo to Tony Soprano. He's presented as a king; even the clothes he wears are kingly. In stature he resembles Eduard Manet's painting "The Rag Picker" in that he is a common man with royal attributes. Tony Soprano is a very nice, down to earth guy. You'd love him as a neighbor. And just like a king, he's powerful in many ways, yet impotent in many other ways. That's why he sees a shrink.

Nelson Donley

#6 — March 12, 2005 @ 21:26PM — stanley

what date did the season 4 sopranos

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/1200)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments