Pick On Someone Your Own Size
Published October 01, 2002
Controversy is bright synth pop splashed with black dance rhythms. Prince's natural voice replaced much of the falsetto of previous albums. The title track is classic Prince that deals with the sexual, social and racial close-mindedness of the time with gospel intensity.
Controversy, released in October of '81, was created during a prolific time in Prince's career. In between Mind and Controversy, he put together a great funk group, The Time, which featured future production stars Jimmy "Jam" Harris (keyboards) and Terry Lewis (bass), Cynthia Johnson (original lead singer, who left to sing with Lipps, Inc. of "Funkytown" fame), guitarist Jesse Johnson (who went on to a solo career), and lead singer Morris Day (who sparred with Prince in the film Purple Rain, and had a solo hit with "Fishnet"). Though filled with raw talent, most of the magical moments on the Time's first three albums were generated by Prince.
1999 is the Prince's masterpiece. The double-LP format gave him more
space to stretch out and he finally connected with the pop audience. Chock-full
of hits, the album's best include the apocalyptic "1999," with its chunky guitar riffs, anthemic melody and jubilant vocal. "Little Red Corvette," a musical comparison between the feminine mystique and a muscle car, succeeds on every level with the elegant tension of the verses answered by the flowing organs, pounding drums, orgasmic guitar and vocal ejaculations of Prince on the choruses.
Prince's frenzy shifts into overdrive on the effervescent "Delirious," and the funky, upbeat "Let's Pretend We're Married" is a manifestation of his Seventh Day Adventist upbringing: true carnal pleasure can only be achieved through guilt-free association, leading to self-deception.
Prince sold out numerous shows across the country on the "1999 Tour" (with Vanity 6 and the Time as supporting acts) and received Rolling Stone's Artist of the Year for 1982 and Musician of the Year at the Black Music Awards.
While on the "1999 Tour," Prince jottted down ideas in a "purple journal" he kept with him at all times. In that journal were the seeds of Purple Rain. With a multitude of individuals financing the project, the script was fleshed out and Prince was cast as the lead. Real Minneapolis scenesters (including the Time and Apollonia 6) formed much of the supporting cast.
The semi-autobiographical plot tells of the struggles, rivalries and mercurial rise to fame of the "Kid" and the scene around him. The Purple Rain soundtrack spent twenty-four weeks at No. 1 on the pop charts and turned Prince into a superstar. The proceeds also allowed Prince to build Paisley Park, the full service recording studio and office complex near Minneapolis which served as his headquarters.
The classic single "When Doves Cry" is daringly sparse compared to previous work, with beautifully crafted Beethovian synth lines and Hendrix-style guitar punctuating a forthright beat and soulful tune. "Let's Go Crazy," cemented Prince's rock 'n' roll reputation and is as euphoric and maniacal as the title implies.
- Pick On Someone Your Own Size
- Published: October 01, 2002
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- Section: Music
- Filed Under: Music: News, Music: Pop, Music: Hip-hop, Music: Rock
- Writer: Eric Olsen
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Good point, Chris, thanks.
And this after Island Records sued Negativland into the ground 'on behalf' of U2, based on Negativland's use of mateiral related to that bunch of Irish 'rockers'. Another duality.
interesting... might also find this interesting as well... thanks...
Thanks Matthew (?), looks very interesting indeed, will follow up.
No, just a visitor of his site. Matthew also linked to this site yesterday too (but for some reason the links and quote are no longer there.)
Prince: "Regardless of industry spin, eye love my fams and thank them 4 ALL their support, even the bootleggers! Peace and Love Christ." - Prince, 6/8/00
Also listed temporarily here:
(In prince's own words on page 6 of the liner notes of his official 5cd "Crystal Ball" boxset)
"9. Movie Star - D'Angelo's favorite bootleg. His love 4 this track inspired its inclusion..."
Prince has an interesting way of expressing to his fans how he feels about bootlegging. From accepting it in interviews & liner notes, to sueing one of the folks that bought the 5CD set simply because of what was mentioned in the article above. Not exactly what they teach in business school. Is the lawsuit just a way to drum up publicity for Prince's own upcoming 3CD live album coming out this fall? Seems like a pretty cheap way of getting it in the short run, but quite expensive in the long run based on just a few of the responses here.
As posted here by Prince on his official website less than 2 months ago:
What is 4 sure, however, is that, in spite of its many claims 2 the contrary, the recording industry has yet 2 provide evidence that P2P is actually detrimental 2 music making as an artistic endeavor, and even as a commercial venture. It is worth remembering, 4 xample, that sales of music CDs actually increased when Napster was at its peak, and declined after Napster was abruptly shut down. Even economists who thought that file sharing "should b" hurting the recording industry r now xpressing their doubts, based on what they say is simply not happening.
More importantly, many well-respected artists have sided with Internet users against corporate greed and actually use the Internet 2 promote alternative ways 2 distribute their music and reach out 2 a non-captive, legitimate audience of authentic music lovers.
This does not mean, of course, that all 4ms of file sharing r equally innocuous. There is little doubt that, when people use the Internet as a substitute 4 radio, i.e. as a way 2 discover new music, it can help promote the work of artists. But when a young junior high school student downloads tracks off the Internet and makes CD-R copies of them that he then sells 4 $5 in the schoolyard, it hurts sales of the original CD and it's disrespectful of the artist - regardless of how small a cut of the actual CD price the artist actually gets after all the xecutives and the middlemen in the recording industry have taken their piece of the pie.
Still, can we really go as far as 2 say that digital technology is creating a "nation of thieves" who no longer recognize the just value of art?
Contradiction anyone?
Hi,
Just read your dialog regardingPrince copyright issue. I have just been suspended from eBay for 1 year for selling an official Prince DVD which is available on many online shops like amazon, hmv etc... as well as retail shops. Obviously these people who are in charge of that holy mission are targeting independent music sellers who can not fight back easily. I make my living on Ebay and the only way i could resume is for Prince's people to withdraw their complaint which i guess not going to happen. The DVD Prince Glory Years has even an authentic EAN number but these things do not mean anything unless you are HMV or some other big company that can defend itself. They do not even bother to provide a contact to discuss the subject with. Do you have any idea what i can do about this? Best Regards...
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What's interesting is it seems like artists whose careers are in decline are the only ones upset by all this new fangled internet music sharing. Run "U2 Live" through a Google search and you find a ton of sites offering "pirated" CD's or downloads. Heck, one site even has almost every U2 show ever done available for download.