Diane Warren Speaks Out Against "Pirating"
Published October 01, 2002
Perhaps the most profoundly loathsome songwriter of her generation, Diane Warren whines about P2P:
- As a kid, I listened to the radio all the time. I didn't dream of becoming a rock star. I dreamed of becoming a songwriter. My dream has come true.
Sadly, the growing epidemic of illegal downloading and CD burning may make it a lot harder for a dream like mine to come true for other songwriters.
I struggled for more than 10 years, making the rounds of every music publisher and suffering countless rejections before I began to make a decent living from writing music. With my dad encouraging me, I persevered and made sure my songs were heard by everyone in the music industry I could reach.
I believe in what I do and work hard to craft the best songs possible. And though I don't write songs just for the money, I do expect to be rewarded for my hard work. Certainly, it wasn't just my love for writing music but also the promise of being able to make a living from my craft that helped keep me going in the beginning.
Will today's young talent have the same opportunities I did? If people are not willing to pay for the music they love, why should anyone be willing to spend the money it takes to make the music?
Record companies put hundreds of thousands of dollars into producing and promoting our songs for one simple reason: They expect to earn it all back and then some. But if the fans are stealing music instead of buying it, what incentive do the labels have to continue? Would a housing developer lay out millions of dollars building a new subdivision if he knew that squatters were going to move in and live there for free?
Fans may think that everyone in the music business is rich, but that simply isn't true. A lot of great songwriters (and bands) get only one commercial hit in their career. Their real interest may be in creating alternative or ethnic music, material that is wonderful but simply not commercial. The money from that one popular hit makes it possible for these artists and writers to devote themselves to the music they really love. To the extent that illegal downloading robs them of those royalties, it robs them of this freedom.
In addition, there are the technicians, session musicians, backup singers and others who play an essential role in helping to make the music you enjoy. If big-name bands and singer-songwriters start spending less time in the studio because pirates are stealing their music, these people will suffer the most.
Music pirates aren't just stealing people's music; they are stealing people's livelihoods. To put it another way, illegal copying not only threatens the entire music business, it also threatens everyone who works in the recording industry.
It's illegal to walk out of a record store with a CD you didn't pay for. Why should downloading the same music be any different?
"A SMILE AS BEAUTIFUL AS YOURS" NATALIE COLE #8 ADULT CONTEMPORARY - BILLBOARD
"ALL I WANT IS FOREVER" JAMES "J.T." TAYLOR & REGINA BELLE #2 HOT R&B/HIP HOP SINGLES & TRACKS - BILLBOARD
"ANY OTHER FOOL" SADAO WATANABE FEATURING PATTI AUSTIN #6 ADULT CONTEMPORARY - BILLBOARD
"BECAUSE YOU LOVED ME" CELINE DION #1 ADULT CONTEMPORARY - BILLBOARD
#1 ADULT TOP 40 - BILLBOARD
#1 HOT 100 AIRPLAY - BILLBOARD
#1 HOT 100 SINGLES - BILLBOARD
#1 HOT 100 SINGLES SALES - BILLBOARD
#1 THE BIG PICTURE - BILLBOARD
#1 TOP 40 MAINSTREAM - BILLBOARD
#4 RHYTHMIC TOP 40 - BILLBOARD
#5 UK
"BLAME IT ON THE RAIN" MILLI VANILLI #1 HOT 100 SINGLES - BILLBOARD
"BLUE EYES BLUE" ERIC CLAPTON #4 ADULT CONTEMPORARY - BILLBOARD
#5 FINLAND
"BY THE TIME THIS NIGHT IS OVER" KENNY G./PEABO BRYSON #1 ADULT CONTEMPORARY - BILLBOARD
"CALL ME GONE" PATTI LaBELLE #9 URBAN AC - R&R
"CAN'T FIGHT THE MOONLIGHT" LeANN RIMES #1 COUNTRY SINGLES SALES- BILLBOARD
#3 HOT DANCE MUSIC/MAXI-SINGLES SALES - BILLBOARD
#4 HOT 100 SINGLES SALES - BILLBOARD
#6 CANADIAN SINGLES - BILLBOARD
#8 TOP 40 MAINSTREAM - BILLBOARD
#9 TOP 40 TRACKS - BILLBOARD
#9 CHR POP - R&R
#1 AUSTRALIA, BELGIUM, FINLAND, HOLLAND, IRELAND, SWEDEN, UK, AUSTRIA, GERMANY, HUNGARY, & NETHERLANDS
#2 JAPAN, NORWAY & SWITZERLAND
#3 DENMARK, FRANCE, JAPAN
"CAN'T TAKE THAT AWAY" (MARIAH'S THEME) MARIAH CAREY #2 SOUNDSCAN
#2 ASIA/SINGAPORE
"COMPLETELY" MICHAEL BOLTON #9 ADULT CONTEMPORARY - BILLBOARD
"COULD I HAVE THIS KISS FOREVER" WHITNEY HOUSTON/ENRIQUE IGLESIAS #3 CANADIAN SINGLES - BILLBOARD
#10 ADULT CONTEMPORARY - BILLBOARD
#1 SWITZERLAND
#2 HOLLAND
#4 SPAIN
#5 GERMANY
#7 UK
#8 ASIA/SINGAPORE, AUSTRIA, BELGIUM, & ITALY
#9 FINLAND
"DON'T TAKE AWAY MY HEAVEN" AARON NEVILLE #4 ADULT CONTEMPORARY - BILLBOARD
"DON'T TURN AROUND" ACE OF BASE #1 HOT 100 AIRPLAY - BILLBOARD
#1 TOP 40 MAINSTREAM - BILLBOARD
#4 HOT 100 SINGLES - BILLBOARD
#6 HOT 100 SINGLES SALES - BILLBOARD
#6 RHYTHMIC TOP 40 - BILLBOARD
#7 ADULT CONTEMPORARY - BILLBOARD
#5 UK
"DON'T TURN AROUND" ASWAD #1 UK
"FAITH OF THE HEART" ROD STEWART #3 ADULT CONTEMPORARY - BILLBOARD
"FOR YOU I WILL" MONICA #1 R&B ADULT - BILLBOARD
#2 HOT R&B/HIP HOP SINGLES & TRACKS - BILLBOARD
#2 R&B MAINSTREAM - BILLBOARD
#3 ADULT CONTEMPORARY - BILLBOARD
#3 R&B/HIP HOP AIRPLAY - BILLBOARD
#3 RHYTHMIC TOP 40 - BILLBOARD
#4 HOT 100 AIRPLAY - BILLBOARD
#4 HOT 100 SINGLES - BILLBOARD
#5 HOT 100 SINGLES SALES - BILLBOARD
#5 HOT R&B/HIP HOP SINGLES SALES - BILLBOARD
#5 THE BIG PICTURE - BILLBOARD
#6 TOP 40 MAINSTREAM - BILLBOARD
"FROM THE HEART" ANOTHER LEVEL #2 ASIA/SINGAPORE
#6 UK
"GIVE ME YOU" MARY J. BLIGE #9 R&B ADULT - BILLBOARD
"HAVE YOU EVER" BRANDY #1 HOT 100 AIRPLAY - BILLBOARD
#1 HOT 100 SINGLES - BILLBOARD
#1 RHYTHMIC TOP 40 - BILLBOARD
#2 HOT R&B/HIP HOP SINGLES & TRACKS - BILLBOARD
#2 HOT R&B SINGLES SALES - BILLBOARD
#2 TOP CROSSOVER - BILLBOARD
#3 HOT 100 SINGLES SALES - BILLBOARD
#3 TOP 40 MAINSTREAM - BILLBOARD
#3 TOP 40 TRACKS - BILLBOARD
#4 R&B ADULT - BILLBOARD
#4 R&B MAINSTREAM - BILLBOARD
#4 THE BIG PICTURE - BILLBOARD
#6 HOT R&B/HIP HOP AIRPLAY - BILLBOARD
#8 AUSTRALIA
"HOW CAN WE BE LOVERS" MICHAEL BOLTON #3 ADULT CONTEMPORARY - BILLBOARD
#3 HOT 100 SINGLES - BILLBOARD
#10 UK
"HOW DO I LIVE" LeANN RIMES #1 ADULT CONTEMPORARY - BILLBOARD
#1 COUNTRY SINGLES SALES - BILLBOARD
#1 HOT DANCE MUSIC/MAXI-SINGLES SALES - BILLBOARD
#2 CANADIAN SINGLES - BILLBOARD
#2 HOT 100 SINGLES - BILLBOARD
#2 HOT 100 SINGLES SALES - BILLBOARD
#3 HOT 100 AIRPLAY - BILLBOARD
#3 THE BIG PICTURE
#4 TOP 40 MAINSTREAM - BILLBOARD
#10 ADULT TOP 40 - BILLBOARD
#7 UK
"HOW DO I LIVE" TRISHA YEARWOOD #2 HOT COUNTRY SINGLES & TRACKS - BILLBOARD
#3 COUNTRY SINGLES SALES - BILLBOARD
#10 HOT 100 SINGLES SALES - BILLBOARD
#3 AUSTRALIA
"I COULD NOT ASK FOR MORE" EDWIN McCAIN #3 ADULT CONTEMPORARY - BILLBOARD
#6 ADULT TOP 40 - BILLBOARD
#9 MODERN ADULT CONTEMPORARY - BILLBOARD
"I COULD NOT ASK FOR MORE" SARA EVANS #2 HOT COUNTRY TRACKS - BILLBOARD
"I DON'T WANT TO LIVE WITHOUT YOUR LOVE" CHICAGO #3 HOT 100 SINGLES - BILLBOARD
#5 ADULT CONTEMPORARY - BILLBOARD
"I DON'T WANT TO MISS A THING" AEROSMITH #1 HOT 100 AIRPLAY - BILLBOARD
#1 HOT 100 SINGLES - BILLBOARD
#1 HOT 100 SINGLES SALES - BILLBOARD
#1 THE BIG PICTURE
#1 TOP 40 MAINSTREAM - BILLBOARD
#2 ADULT TOP 40 - BILLBOARD
#4 MAINSTREAM ROCK TRACKS - BILLBOARD
#5 LATIN POP AIRPLAY - BILLBOARD
#5 LATIN TROPICAL/SALSA AIRPLAY - BILLBOARD
#1 GERMANY & ITALY
#4 UK
#8 JAPAN
"I DON'T WANT TO MISS A THING" MARK CHESNUTT #1 COUNTRY SINGLES SALES - BILLBOARD
#1 HOT COUNTRY SINGLES & TRACKS - BILLBOARD
"I GET WEAK" BELINDA CARLISLE #2 HOT 100 SINGLES - BILLBOARD
#9 ADULT CONTEMPORARY - BILLBOARD
#10 UK
"I LEARNED FROM THE BEST" WHITNEY HOUSTON #1 DANCE MUSIC/CLUB PLAY - BILLBOARD
#1 HOT DANCE MUSIC/MAXI-SINGLES SALES - BILLBOARD
#3 R&B ADULT - BILLBOARD
#6 R&B/HIP HOP SINGLES SALES - BILLBOARD
#8 HOT 100 SINGLES SALES - BILLBOARD
#6 FINLAND
#8 SPAIN
"I TURN TO YOU" CHRISTINA AGUILERA #1 HOT 100 SINGLES SALES - BILLBOARD
#3 HOT 100 SINGLES - BILLBOARD
#5 ADULT CONTEMPORARY - BILLBOARD
#6 HOT LATIN TRACKS - BILLBOARD (SPANISH VERSION)
#8 TOP 40 MAINSTREAM - BILLBOARD
#10 CANADIAN SINGLES - BILLBOARD
#10 RHYTHMIC TOP 40 - BILLBOARD
#1 ASIA/SINGAPORE
#9 MALAYSIA
"I WANT YOU TO NEED ME" CELINE DION #1 CANADIAN SINGLES - BILLBOARD
#7 HOT DANCE MUSIC/MAXI-SINGLES SALES - BILLBOARD
"I WILL BE HERE FOR YOU" MICHAEL W. SMITH #1 ADULT CONTEMPORARY - BILLBOARD
"I WILL GET THERE" BOYZ II MEN #8 HOT 100 SINGLES SALES - BILLBOARD
"I WILL GET THERE" J-FRIENDS #1 JAPAN
"I'D LIE FOR YOU (AND THAT'S THE TRUTH)" MEAT LOAF #6 HOT 100 SINGLES SALES - BILLBOARD
#2 UK
"I'LL BE" REBA McENTIRE #4 COUNTRY SINGLES & TRACKS - BILLBOARD
"I'LL BE YOUR SHELTER" TAYLOR DAYNE #4 HOT 100 SINGLES - BILLBOARD
"I'LL NEVER GET OVER YOU GETTING OVER ME" EXPOSE #1 ADULT CONTEMPORARY - BILLBOARD
#3 TOP 40 MAINSTREAM - BILLBOARD
#8 HOT 100 SINGLES - BILLBOARD
"I'LL STILL LOVE YOU MORE" TRISHA YEARWOOD #6 COUNTRY - R&R
"IF I COULD TURN BACK TIME" CHER #1 ADULT CONTEMPORARY - BILLBOARD
#3 HOT 100 SINGLES - BILLBOARD
#6 UK
"IF YOU ASKED ME TO" CELINE DION #1 ADULT CONTEMPORARY - BILLBOARD
#3 HOT 100 AIRPLAY - BILLBOARD
#4 HOT 100 SINGLES - BILLBOARD
"IF YOU ASKED ME TO" PATTI LaBELLE #10 HOT R&B/HIP HOP SINGLES & TRACKS - BILLBOARD
"JUST LIKE JESSE JAMES" CHER #8 HOT 100 SINGLES - BILLBOARD
#9 ADULT CONTEMPORARY
"JUST TO HEAR YOU SAY THAT YOU LOVE ME" FAITH HILL & TIM McGRAW #3 HOT COUNTRY SINGLES & TRACKS - BILLBOARD
"LIVE FOR LOVING YOU" GLORIA ESTEFAN #2 ADULT CONTEMPORARY - BILLBOARD
#9 HOT DANCE MUSIC/MAXI-MUSIC SALES - BILLBOARD
"LOOK AWAY" CHICAGO #1 ADULT CONTEMPORARY - BILLBOARD
#1 HOT SINGLES - BILLBOARD
- Diane Warren Speaks Out Against "Pirating"
- Published: October 01, 2002
- Type:
- Section: Music
- Filed Under: Music: News
- Writer: Eric Olsen
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Comments
Toby, can't disagree with anything you have to say, and John's take is certainly more convincing and serious than mine. This was largely an excuse to vent my spleen at this songwriter who has so consistently polluted the air around my head over the last 15 years or so.
Obviously people like the songs or she wouldn't be so hugely successful, but I don't think you have to go all the way to "avant garde cred" to find listeners who find her consistently awful. Look what she did to Aerosmith!! (not that they weren't willing)
Who she is doesn't have much bearing on what she has to say, but it makes it more fun to slam.
Hi Toby!
Don't pull your punches. Warren isn't worth it. McDonalds sells a lot of spongy hamburgers too, but that doesn't make it right.
Let me tell you something: There are two songs in that list above with the name Starship after them. I saw Starship last month, and they don't do either of those songs live.
Coincidence? Or conspiracy?
No--just belated outbreak of good taste.
Eric,
You are an idiot. Diane Warren has as much right as any songwriter to speak her mind. That fact she's become filthy rich makes NO difference you fool. File STEALING is just that! STEALING! Maybe if had the talent to make a living off of songwriting you wouldn't sound so dumb.
Frank you ignorant shithead, why you dug this up now, I have no idea, but upon reading it 14 months after the fact, I think it's a great post. Diane Warren is the single worst mega-successful songwriter in history. Her noxious, disingenuous complaining about file sharing is wrong on virtually every level. Unauthorized file sharing is not theft, it is not "piracy," it's copyright violation at worst.
Diane Warren can speak her mind all she wants and it will be worth ignoring every time.
You are either an industry shill, a Diane Warren fan, or just too stupid to live.
dude
1/4/5 sounds good... even Mozart, Bach and Beethoven knew that. Would you so quickly and brutally knock them?
Sure, they changed keys all the time and gave melodic variation, but it was.. still.. 1/4/5.
do you put some NOBODY writer above them?
lmao.
Diane Warren knows what sounds good. she's not afraid to take on the "i hate pop music because everyone else likes it" crowd.
if her sounds really suck, please write one that's even HALF as musically palatable.
by the way, i have perfect pitch and could sing your song before your even figured out what chords you wanted to write it with. lmao at "avant-garde" fans like you.
moral:
just because something's popular doesn't mean it sucks; 1/4/5 (eg: G, C, D) will always sound good.. always has, always will; DIFFERENT does NOT mean GOOD! ! ! ! !
Final thought: Great choruses make great songs.
of that entire list, my favorite song is "When I See You Smile" by Bad English.
great chord progressions... and a freaking beautiful chorus, among the best i've ever heard.
that chorus embodies the music of the Great Musical Forebears:
Vivaldi: The Four Seasons
Bach: Air
Mozart: Clarinet Concerto in A: Mvmt II
Tchaikovsky: Swan Lake
Beethoven: Moonlight Sonata
Handel: Water Music
Schubert: The Unfinished Symphony
et al.
they all featured 1/4/5 and made it sound good. SURE, if you're in G you're likely to include (besides the proven G, C, D..) Em, Am, Bm, maybe even F, Dm, G7, C7, .. crap, toss in an A and put the listener on his ear.
but thugs like you do NOT know music... you like what others don't (ie, you like what you like JUST to be different..) and for that you should be loathed. you should like what you like because you like it, not because you want to be "avant-garde" .. as if anything you listen to is "original" anyway.. lmmfao.. every conceivable chord progression has been written. There are only so many notes on the scale.. only so many chords and possible chord progressions. G/Em/C/D has been written a million times by a hudred-thousand different writers.
Nothing is original anymore. Millions of people have been writing music for thousands of years.
If you really don't like Diane Warren's music per se, that's one thing. If you hate it because you think you should, well, that's just sad.
Moral: Like what you like. Neither hate nor love music because of others' opinions.
the chorus of "When I See You Smile" really is great.. absolutely spot-on harnessing of proven age-old musical genius. play it slowly on your guitar and you might actually agree, though you'll likely never admit it.
I find that many of the comments made about this article have been made by people who are amateur musicians and don't know anything about music. They are pretending they know musical theory. Their comments are a joke and their comments on chord progressions don't make any sense. It's not just the chord progression that makes the song. Any professional musician laughs at you! Go to school, perform on stages, deal with professionals and then make an intelligent comment. You sound so stupid!
so was that a pro or con Warren statement, Diana?
"Professionalism" can also be perilously close to hackdom. A lot of art, including popular music, is very professional but also soulless and trite - Warren fits that for me.
I appreciate someone can like Warren's music or not. Both are OK. They're simply opinions - no right or wrong. I just find it pathetic when people talk technically about "music" as if they know what they're talking about when it's obvious that they don't. They can sound so stupid trying to sound so smart. It may be 'souless' to some. That's an honest comment. Comments that are not honest though are, for example, comments made about chord progressions, etc. when it is obvious the commentator has a very little experience with the above. They are just trying to sound like they know it all, when they don't. Music is such a vast subject. I have a lot of schooling in it and the more I learn the more I realize how much there is to know. I am also very aware and can appreciate that some musicians write and play from their minds and not from their hearts. This is something I am not a big fan of also. I just sometimes get a little tired of hearing people talk about a subject as if they know all about it when they actually sound like a two year old trying to spew out nuclear physics facts. I would never even try to comment on something I know next to nothing about. It would be a useless thing to do. That's how some of the comments I've read here affect me. I usually just listen to people that spew out know-it-all comments and say nothing. I just thought I'd finally give myself a voice. Black and white, all or nothing thinking is so boring sometimes. I feel that nothing is all bad or all good. Sometimes I can't even put my finger on theoretically why a certain song doesn't affect me. It just doesn't move or touch my soul as you say. It's easy to comment if you haven't walked a mile in their shoes. The music industry itself can be very cold. Sometimes it comes across in the music. That is not such a far stretch really when I think abou it.
thanks Diana, I think what you are talking about is people trying to explain subjective things with objective terms and the terms themselves may be used loosely but the response from the untutored is just a valid as the response from the tutored
You may be right.
We the people don't give a rat's bottom about what songwriters and musicians associated with major labels think about file SHARING. You made your decision to be part of the machine, so deal with it. Music lovers have been getting ripped off for years because they had to deal with the only model available to them. Well, now there's tons of viable indie labels, and lots of technology that enables us to work around the corrupt major label music industry. Instead of rethinking their model, they simply try to suppress technology. Well, too late. The people creating file sharing systems will always be smarter than the wankers trying to stop them. These "artists" crack me up. I'm glad tribs like Lars Ulrich and Garth Brooks/Chris Gaines (Ha Ha!), and this schmaltzy songstress are offended. It means we must be doing something right. The next time one of these spoiled crybabies want to mouth off about file SHARING, they instead should apologize for being part of the devilish major label music industry that is well know to be a division of the military industrial complex, and begin refunding their fans for the price gouging and sub par products they have been offering lo these many years!
Warren can go on about her loss of income from her songs do to the internet, but it's going to happen. Unless she comes up with a way to stop it, her letter sure won't. Tough luck. That's life. Things change and must evolve. She tried to win the reader over. I doubt it made a difference.
I've asked this question before, but I'll ask it again...why do I have to pay for music more than once.
I own around 300 LP's...that's vinyl for you youngins...around 50 8-tracks, don't ask!!!...a couple hundred casettes...and around 100 cd's...if I download stuff I already own, am I stealing?
as far as I'm concerned, if you already own it, it's just a convenient form of format shifting, which is legal, but I'm not the government
that's really the way I see it...it's alot easier to download an mp3 than to go thru the hassles of trying to convert...besides the fact that I don't have the technology required to change my LP's into mp3's
I think they'll eventually be able to stop all the stealing of music on the internet ... when pigs fly!
If you worked day and night to produce a product, and someone stole it from you how would you feel? Songwriting is a business, an honorable one. Music is the sound track of our life. Don't try to make it seem insignificant. American creativity has brought us many innovations and has changed our lives...so has the music don't support the decline of and industry by stealing.
Pirating cannot be stopped, the higher the prices goes up for CDs, the higher pirating becomes. I am against piracy myself, but when singles might soon becomes $50-$100 each then many people will have to resort to piracy.
You can see why she's against pirating -- she doesn't get tour revenue, she doesn't perform music, so the only money she makes is off song royalties and album sales.
Dianne Warren's an interesting woman -- she's never been in love or had a relationship with a man yet writes all these love songs.
It's funny how we picked the same songs that were tolerable out of her catalog, Olsen. "Unbreak My Heart" is clearly the best song she ever wrote.
I didn't know she wrote for Ace of Base too. That's funny.
The song I hate most on that list is "Set the Night to Music." Ugh.
That is all.
I have to disagree with this post. With all due respect it seems like most people making negative comments about Diane Warren are just simply not songwriters and are uneducated about music and art in general. While I do agree that most of her collection of music can appear banal at times , I am also sympathetic to consider a few points. Some artists are standard artists. Her style reflects her personality. Maybe she is a boring person. Theres alot of people out there that are. #1 Respect those people. Not everyone is socially aware and busy writing political statements or art statements in their music. Nor should they have to. Some persons are simply unaware of what avant garde is. If you want avant garde go pick up Low Heroes or Lodger and stop picking on people who have experienced life differently. #2 Some artists, they live a life that is different that more artsy types of people , they are are not particularely innovators or revolutionaries. These artists are masters of their skill and technique. Sure Pink Floyd is more innovative and not as banal as Diane Warrens songs but they are two different types of artists. Its like comparing Chopin to Mozart. Great artists understand that a formula exists, and the formula works every time. Some artists explore creativity through great ideas and innovations and other artists are standard by the book format and simply innovate through better techniques. I can promise you Diane Warren writes better songs than Pink Floyd or the Beatles. More predictably, and more often. Her songwriting chest is outrageous. What has she written like 1000+ top 20 hits? Jeez. That surely counts for something. In fact it was John Lennon who was so frustrated with the incredible raw skill and technique of "tunesmiths" that he nearly gave up songwriting and just started copying other songwriters. When you look at Mozart , he wasnt innovative, nor was Shakespeare, nor was Milton, they were all standard format by the book artists using by the book art techniques. Their greatness lied in their raw skill of developing melody and, their ability to churn out tremendous bodies of work, and their raw talent of being able to put tunes together where others struggled. So theres nothing wrong with being a popular songwriter and writing by the book, even if it is a bit banal. No one ever knocked Milton.
I cannot tell you how many idiots I run into who love hip hop and tell me they are into "underground" music like "The Roots" and that I shouldnt listen to pop garbage like Lil Kim. Meanwhile Scott Storch was the songwriter, keyboardist, and producer for both artists and when I tell the person this they stare at me in confusion. Yes the same person who wrote all the Roots music wrote everything for Lil Kim and alot of stuff for Beyonce. Dr Dre is commercial and by the book. He isnt innovate at all. Does anyone knock Dr Dre ? No I dont think so. Dont you think his loops are banal by now? they are always the same stuff. BTW: Storch helped alot of his tracks too. Do you think great producers like Rodney Jerkins or Babyface would produce a Diane Warren/Brandy song if they didnt think the songwriting was excellent? Of course not, they get involved because they think its great stuff and choose to work on it. I think alot of you haters would like alot of her songs better had they been produced by a different producer because dont forget a great producer can change the whole imagery of the song as well as alter all the arrangements. In the end , when all the air is clear and all the innovative artsy fartsy songs have been made, you know what? people always end up turning back to listen to a 3 minute A B B A format song. Why? Because of FORMULA. Formula works because we are all human and animals respond and behave the same in the end.
Just to further back up my point:
Just think of some of the most revolutionary artists. Guess what? The irony is that their standard format banal garbage is what has proven over time to be their best work, let me illustrate:
David Bowie- Ziggy Stardust
John Lennon- Imagine
Led Zeppelin- Rock N roll
Velvet Underground- Rock and Roll
Janes Addiction- Been Caught Stealing
etc
Meaningless trash- is my point hitting home yet?
Here is the irony lost on the legions of Diane Warren bashers (whose very number proves how sheep-like and unoriginal they are):
At her best, what she writes is 100 times hipper than the supposed "avant garde".
Final thought: there are literally millions of "bad songwriters" in the world. Do you seriously think that an atrocious songwriter would have tons of hit records? If this were true, the world would be filled with millionaire bad songwriters. Sorry, it doesn't work that way.
she's great at what she does, but it is still mostly crap
Eric, your original post is a bit disappointing to me. You're saying, basically, "Her songs are worthless to me so that means her opinion on file sharing is also worthless."
The importance of major/popular artists speaking about file sharing -- either for or against -- is that popular artists are, well, popular, and so a greater number of people can identify the effects of the peer-to-peer sharing of copyrighted recordings.
Courtney Love spoke about the recording industry's interests from the standpoint of a recording artist (check the URL at the bottom of this comment), and so as a popular media figure and recording artist, her opinion means something just as Diane Warren as a popular songwriter and music publisher has a perspective that's meaningful.
These are people who work in music talking about how they see themselves affected by file sharing.
Diane Warren didn't rant about her losing a few dollars, but about the people in the industry that she works with who's livelihoods are affected. Courtney Love ranted about a lot of things that highlight that the record lables are talking about artists being ripped off when that is their own systematic practice.
As for the gentleman's comment about downloading MP3s as an easier way of getting digital copies of the LPs he paid for long ago... I would say that the record companies can and do argue that the digital files are not the same as the LPs -- the CDs that get ripped and the digital copies that get shared usually have digital mastering that must be paid for by consumers buying a new format.
Although I think that is a valid argument to make, it does sort of identify who's loss is at stake -- the multinational corporations' income and not the individual artist.
Whether we should download or not is one question for each of us to answer, but who is affected and how is another question and popular, working professionals such as Diane Warren and Courtney Love give answers to those questions that are worth considering.
Best,
The Intuitive
All this chatter and no mention of LYRICS, where the real chasm lays between the pablum of DW and writers ala Dylan, Bruce, Mark Heard, Tracy Chapman, Pedro the Lion, etc.
Gimme three chords and something engaging to say and bingo! RESPECT.
If any rapper/R&B artist was able to stick something deep down in my gut(aside from a gun, drugs or their d*ck), I'd buy their CD's too. Ain't happening. Why the vacuum on intelligence in the black songwriting community? Wake up.
Diane Warren does have a point but, like one poster said, if they downloaded a MP8 of an album I already own, is it stealing?
Diane Warren the songwriter. One word. LUCKY.
Her use of chords and melodies is VERY standard. She sounds like she's still a staff writer. I do like her work, though. Its a guilty-pleasure thing. Oh, Dianne Warren has NOT had "1000+" top 20 hits. She hasen't even had 100+ top 20 hits yet.
Someone asked would Babyface produce a Diane Warren-penned tune if they didn't like it? Answer: Maybe, depending on different factors such as if they like the song, yes, but MONEY!!
Scott Storch is merely a composer and has only COMPOSED in part for the Roots, Kim, etc, he's credited with production credits for these artists actually (even though its been reported he's had co-contributers who go uncredited.
Tom, the perfect pitch poster, has a point. Except, Tom, you might have perfect pitch but, you STILL couldn't predict what a person would "sing" before they do. You could more than likely do this if they were COMPOSING but not so much with writing LYRICS.
Tom, what would you, or any of you other posters feel about the work of people like:
Stevie Wonder
Holland-Dozier-Holland
Jimmy Jam & Terry Lewis
Prince
Ne Yo
Tamara Savage
Babyface
Lionel Richie
Diane Warren's music sounds like she was a BIG fan of thses people.
Good talking with you guys. Drop me a line.
Diane Warren's work is a crime against both music and humanity, total schlock! I'd rather listen to Barry Manilow if I was in the mood for cheese!!
Stop trying to convince yourselves that filesharing is okay. Looting isnt, stealing isnt and neither is this. You can try to convince yourselves just because others do it,it is okay...but its not.
You might as well walk out of the music store with a pile of cd's. Try telling your kid its okay to do to. What a world we live in and how unethical.


Eric,
Much of Diane Warren's music isn't to my taste either, but that doesn't mean that her opinions on p2p are any less valid. Though she scores close to zero for avant-garde cred, her songs have given joy to millions of suburban romantics the world over. Perhaps those people are the target market for MusicUnited's anti-piracy campaign!
I found John Scalzi's "MusicUnited.org - a bad idea" article to be a fairer examination of the failings in this recent RIAA educational campaign, the main two flaws of which are:
1) Multimillionaires like Britney Spears make spectaclarly bad figureheads for a campaign designed to show how artists may suffer from p2p downloading; the RIAA should find a way to convince more _real_ starving musicians to support its case.
2) It's almost impossible to get most consumers to make ethical buying decisions. People will stop using illegal music services when there's a superior, decently-priced legal version on the market. Just as many of us are happy to pay over the odds for the convenience and quality of Evian bottled water, so we will one day pay for well-packaged online music. In the meantime trying to tell kids to uninstall their p2p apps is a futile and patronising gesture.