How big is the Next Big Thing?
Published August 27, 2002
(Update: I said before that hardly anyone goes for broke on TV. The Vines sure did on Letterman the other night. A little too much, actually. Nicholls comes off like a... oh, how can I put this delicately?... a freakin' mongoloid. If you hurry, you can still watch the embarassment online.)

Length: 5.5 / Girth: 5
The Catheters
This Seattle punk quartet's debut for Sub Pop records, Static Delusions and Stone-Still Days packs a cervix-punishing wallop. If The Hives are the lighter side of punk, The Catheters (Christ, what a name...) are their polar opposites, taking themselves totally seriously at every riff. On track after track, they stick it in deeper and deeper, so much that it borders on painful, and nearly makes one wonder why this is necessary. What are they on about, anyway? At 34 minutes, the album may be a bit too long. It requires a very specific mood to get through the whole thing — like, on speed, maybe.

Length: 8 / Girth: 4
...And You Will Know Us By The Trail of Dead
Experimentation is a good thing. Honey, what do you say tonight we try some accordion? Strings perhaps? Oh, don't worry. We're still gonna rock. That's of upmost importance, always.
This is the band that stands out among most others working today, stylistically and also in terms of talent. Their major label debut, "Source Codes and Tags," takes them into deeper territory than ever before, beautifully counterbalancing grating guitars and sheer volume with innovative song structures ("Baudelaire") and material that is downright moody ("It Was There that I Saw You"), often weaving amazing juxtapositions and complimentary sounds into the same song. It's difficult listening at times, challenging the way you think about rock, and sometimes challenging the very idea that Trail of Dead is a rock band at all. But with patience and a little tantric concentration, the rewards are great.
Some say they're gonna be huge. I say they already are. But don't let them intimidate you — they know what they're doing, and if they're not exactly gentle, they are precise, moving, and massively talented.

Length: 9 / Girth: 7
- How big is the Next Big Thing?
- Published: August 27, 2002
- Type:
- Section: Music
- Filed Under: Music: Alternative Rock, Music: Hard Rock, Music: Rock
- Writer: Kenan Hebert
- Kenan Hebert's BC Writer page
- Kenan Hebert's personal site
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Comments
K, Per Glenn's post, you can go back and connect all of these to Amazon (please). Looks like not everyone digs the analogy. I think it's pretty funny.
Given Thom's choice of vernacular, I'm guessing he's British. Was it the swipe at the British music press that so offended him? Or my opinions?
Or maybe it was all those penises. Not everyone like a lot of penises. Brash American that I am, I don't mind so much, but...
A Bangsian treat, dear boy. If Blogcritics is going to be more than just hundreds of disconnected "if you liked their last album you might like this" capsule reviews it's going to need stylish pieces with some sharp wit like this. More, please.
And if you want to see Kenan doing it straight, go see the pieces on Pet Sounds and Funhouse back at his home page.
"I knocked 'em dead in Dallas
And I didn't pay my dues
Yeah, I knocked 'em dead in Dallas
They didn't know we were Jews"
Hey, why no mention of The Kills? They are at least as minimalist as these other guys.
The judge who put coded messages in his Da Vinci Code plagiarism trial ruling has written another...











...what a load of bollocks.