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An Interview with Peter Asher

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Peter Asher is a legend with whom you may or may not be familiar. Regardless, somewhere along the line, his artistry has likely touched your life. Over the course of a career spanning five decades he’s been an actor, a pop star, an A&R rep, and a manager and producer of some of the most well known names in popular music.

Asher is currently promoting the PBS special American Masters: Troubadours Carole King/James Taylor and the Rise of the Singer/Songwriter, and I was fortunate to have the opportunity to speak with him this week by phone. During our conversation we discussed his long journey through the music business.

You may know him as Peter from the ’60s U.K. pop duo Peter and Gordon. While in school, he and Gordon Waller met, started out playing music for fun and “lurched into the pop music scene.” A talent scout from EMI heard them and signed them. It wouldn’t be the last time fate would aid the talented Asher and propel his career forward.

While Waller was more interested in singing and performing, Asher immersed himself in the craft of producing records. “I was fascinated by production as well as the creative process. Producing was also a way to tell artists who are way better than you are what to do,” he says with a laugh. At their recording sessions, Asher would sit at the boards and assist the producer until he got good enough to do the work himself.

The duo had a number of huge hits including “Nobody I Know” and “Lady Godiva.” Asher’s sister, actress Jane Asher, was Paul McCartney’s girlfriend at the time, which led to McCartney penning “World Without Love” for the duo.

“We used to hang out with Paul at his house,” Asher recalls. “One time I asked him to finish writing “World Without Love” so we could record it.” Paul wrote the bridge and the song became one of Peter and Gordon’s biggest hits.

Asher and McCartney would often lament the state of the record industry. “In those days record companies were formal, not ‘groovy’, unlike today where they try to be more open to what new artists have to offer.” McCartney wanted to establish a company that would be less for big business and more for the artist. Eventually he and the other Beatles would form Apple Records. Despite its eventual financial and legal woes, McCartney stayed true to his vision and Apple was first and foremost for the artist.

Asher was asked by McCartney to be Apple’s first A&R man. Not long after Asher took the reins, a young songwriter named James Taylor contacted him. “He didn’t know I worked for Apple and the Beatles. I was very impressed by his tape and immediately wanted to produce him.” He adds, “I feel very lucky to have discovered him.”

Taylor was a rare breed: not a true folk artist but neither was he a rocker. The term “singer-songwriter” had not yet been coined and Taylor became the archetype for this new type of artist, landing on the cover of Time Magazine because of it.

The advent of the singer/songwriter was a fine way to welcome the new decade of the 1970s. Taylor was the first. But artists like Carole King, Elton John, Joni Mitchell, and Cat Stevens also came into prominence at around the same time.

Taylor’s debut record was his self-titled release or the “Apple Album,” as it came to be known. “I wasn’t pleased with the “Apple Album,” Asher says. “It was overproduced, overcooked, but it got James attention and helped make him a major singer-songwriter.”

About Mindy Peterman

  • barbara Arfe

    dear marie,
    I used to hang with you when we were young and following the beatles. I’ll prove it! Do the names Sagitarius, Goody two shoes, mean anything? We’ve also met at beatlefests. The article is very interesting. It would also be fun to befirends, on facebook, if you’d like.
    P.S. My daughter used to be friend’s with the daughter of David Fishoff, and I got a chance to see the Monkees for free and buy Ringo tix directly from him. anyway, keep in touch if you’d like.

  • Mindy

    I’m not Marie but thanks for reading and commenting on the article, anyway.