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A Basic Primer on Composition

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Last summer, I visited my home state of Louisiana for a photo shoot of my great-niece. Prior to this trip, the majority of my professional work had been done without models and was mostly landscape, nature, and wildlife work.

Arranging the subjects and objects in a photograph and establishing their respective places in the scene is known as "composition". Much composing is done, and can only be done, through the viewfinder prior to releasing the shutter. Some alterations and improvements can be done with digital editing after the image is out of the camera and into the computer. Some image editing software actually superimposes this grid on the image to help. Some cameras have the grid visible in the viewfinder. A few years ago, I attended a weekend workshop put on by the Rocky Mountain School of Photography. I had been familiar with the “rule of thirds” for a long time and for some reason always applied it horizontally. At this meeting, they pointed out that if you apply the same rule vertically; the two groups of lines form a “tic-tac-toe” grid with a square centered in the frame.

The four corners of this square are the “power points,” the four areas of the photo where the eye naturally tends to look in a scene.

The upper left hand power point is the most significant. Regardless of culture and reading path (up, down, left to right, or right to left) the human brain goes to that spot first. (There is actually scientific evidence to support this comment although I do not have the reference to link.) The eye is naturally attracted to the brightest, most clearly focused feature of a scene.

Triangles are the most powerful of geometric shapes in a composition because they help to keep the viewer’s eye in the frame and they help focus attention on a particular point in the frame.

Three is the preferred frequency for number of items in a scene, i.e., three flowers arranged in a triangle.  Notice in this first illustration the grid lines as well as the two triangles. Also, note the gradual change in brightness of the triangle's three sides, ending with a smaller solid white triangle in the upper left power point. Or rather, try NOT to notice them. See how powerful these elements are to the composition?

These rules work for any subject matter whether it’s a landscape or a portrait. For a portrait, we try to get the eyes on the upper third line, hopefully near the two upper power points.

          

Photo number one (click to enlarge) is a simple head shot and as you can see, the composition grid lines match up well with the Chelsea's features.

In the next photo, the model reclines and we see the main power point dead center on her face. Finally, a full-length shot that employs the use of triangles to keep the viewer's eye in the frame and, at the same time, ensure attention to her face.

It is important to keep these composition tips in mind while framing the shot in the viewfinder. As mentioned above, it's possible to make minor corrections with a cropping tool in post production if you have an image that isn't beyond repair.

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  • http://www.culturesandwich.com caroline Hagood

    I really enjoyed this article and learned a lot. Thanks for writing.

  • Reese McKay

    Fascinating. This was quite informative and based on fairly simple principles. I will probably use these ideas next time I take some photos. Thanks.

  • Christian Allman

    Thanks for this. Your analysis made what could be a frusrating subject for aspiring photographers clear and easy to understand. I don’t do much photography on my own, but I recognized the logic of your presentation quickly – and it inspired me to to want to grab a camera!

  • http://www.facebook.com/sharon.cohen Sharon Cohen

    I’ve always fancied myself a fine photographer but today I recognized that learning and applying basics could help me be a much finer photographer.

    I hope you continue the lesson and let me know when you do. The length and content of this lesson was perfect for me “of the short attention span”.

  • Donna Halinski

    As one that continually studies fine art since my youth, the elements that the Great Masters in all media have known also bear the test of measurement and equation in photography. Mr. Etier’s lesson should be taken to heart – after all, a photo too can be a a great masterpiece.

  • http://harveygardner.blogspot.com/ Harvey L. Gardner

    I’m a rank amateur,but I learned about the Rule of Thirds many years ago at a seminar held by a “National Geographic” photographer who visit our journalism school. My home photos have been much better because of this simple rule. Great article.

  • http://freyaschild.com Alvin Franzmeier

    I’m not a photographer, except in a very amateurish manner. However, your article give me cause as a writer to think about what illustrations I will look for to enhance the written word. Good stuff. Thanks.

  • http://www.upliftantidote.co.uk/wordpress/ JACQUI

    Excellent article – clear and easy to digest. I never knew about lines and triangles at all, when choosing composition. They do say you learn something new everyday. Thank you Mr Etier.